
Pages
160
Rating
3.81
Year
2021
Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers. She writes about her influences, her struggles, and her formation as both a reader and a writer; she describes the perils of “bad language” and suggests ways in which it has long excluded women’s truth; she proposes a choral fusion of feminine talent as she brilliantly discourses on the work of Emily Dickinson, Gertrude Stein, Ingeborg Bachmann, and many others.
Here is a subtle yet candid book about adventures in literature, both in and out of the margins.
Endorsements
“an oracle among authors.” — Claire Luchette, O, The Oprah Magazine (2020)