A cat-and-mouse game of surveillance and psychological torment develops between a middle-aged artist and her aging mother, as Vigdis Hjorth returns to the themes of her controversial modern classic, Will and Testament.
"To mother is to murder, or close enough," thinks Johanna as she looks at the spelling of the two words in Norwegian. She's recently widowed and back in Oslo after a long absence as she prepares for a retrospective of her art. The subject of her work is motherhood, and some of her more controversial paintings have brought about a dramatic rift between parent and child. This new proximity, after decades of acrimonious absence, sets both women on edge. Before long Johanna finds her mother stalking her thoughts, and she begins stalking her mother's house.