Creepy Reads

In a dusty post-war summer in rural Warwickshire, a doctor is called to see a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the once grand house is now in decline, its masonry crumbling, its garden choked with weeds. All around, the world is changing, and the family is struggling to adjust to a society with new values and rules.Roddie Ayres, who returned from World War II physically and emotionally wounded, is desperate to keep the house and what remains of the estate together for the sake of his mother and his sister, Caroline. Mrs. Ayres is doing her best to hold on to the gracious habits of a gentler era and Caroline seems cheerfully prepared to continue doing the work a team of servants once handled, even if it means having little chance for a life of her own beyond Hundreds.But as Dr. Faraday becomes increasingly entwined in the Ayreses' lives, signs of a more disturbing nature start to emerge, both within the family and in Hundreds Hall itself. And Faraday begins to wonder if they are all threatened by something more sinister than a dying way of life, something that could subsume them completely.Both a nuanced evocation of 1940s England and a chilling novel of psychological suspense.

Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the sole inhabitant of Eel Marsh House, unaware of the tragic secrets which lie hidden behind the shuttered windows.The house stands at the end of a causeway, wreathed in fog and mystery, but it is not until Arthur glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to speak of the woman in black — and her terrible purpose.

Cursed Bunny is a genre-defying collection of short stories by Korean author Bora Chung. Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society.Anton Hur’s translation skilfully captures the way Chung’s prose effortlessly glides from being terrifying to wryly humorous.EndorsementsWinner of a PEN/Heim Grant.

He is trying to poison me. You must come for me, Noemí. You have to save me.After receiving a frantic letter from her newlywed cousin, Noemí Taboada heads to High Place, a distant house in the Mexican countryside, unsure what she will find.Noemí is an unlikely rescuer: She’s a glamorous debutante, more suited to cocktail parties than amateur sleuthing. But she’s also tough, smart, and not afraid: not of her cousin’s new English husband, a stranger who is both menacing and alluring; not of his father, the ancient patriarch who seems fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom.Noemí's only ally in this inhospitable place is the family’s youngest son. But he too may be hiding something dark. There are many secrets behind the walls of High Place, as Noemí discovers when she begins to unearth stories of violence and madness.Mesmerized by this terrifying yet seductive world, Noemí may soon find it impossible to save her cousin—or even escape this enigmatic house.

Colombo, 1990. Maali Almeida, war photographer, gambler and closeted gay, has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. At a time where scores are settled by death squads, suicide bombers and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest.But even in the afterlife, time is running out for Maali. He has seven moons to try and contact the man and woman he loves most and lead them to a hidden cache of photos that will rock Sri Lanka.A searing satire set amid the murderous mayhem of Sri Lanka beset by civil war.EndorsementsWinner of the Booker Prize 2022.Longlisted for the RSL Ondaatje Prize 2023.'Fizzes with energy, imagery and ideas against a broad, surreal vision of the Sri Lankan civil wars' — The Booker judges'Recalls the mordant wit and surrealism of Nikolai Gogol's Dead Souls or Mikhail Bulgakov's The Master and Margarita ... Karunatilaka has done artistic justice to a terrible period in his country's history' — Guardian'Outstanding... the most significant work of Sri Lankan fiction in a decade.' — New European

Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.The creeping horror of Paul Tremblay meets Tommy Orange’s There There in a dark novel of revenge, cultural identity, and the cost of breaking from tradition in this latest novel from the Jordan Peele of horror literature, Stephen Graham Jones.

The house looked right, felt right, to Dr Louis Creed.Rambling, old, unsmart and comfortable. A place where the family could settle; the children grow and play and explore. The rolling hills and meadows of Maine seemed a world away from the fume-choked dangers of Chicago.Only the occasional big truck out on the two-lane highway, grinding up through the gears, hammering down the long gradients, growled out an intrusive note of threat.But behind the house and away from the road: that was safe. Just a carefully clear path up into the woods where generations of local children have processed with the solemn innocence of the young, taking with them their dear departed pets for burial.A sad place maybe, but safe. Surely a safe place. Not a place to seep into your dreams, to wake you, sweating with fear and foreboding...

Thomas Hart and Grace Macaulay have lived all their lives in the small Essex town of Aldleigh. Though separated in age by three decades, the pair are kindred spirits—torn between their commitment to religion and their desire to explore the world beyond their small Baptist community. It is two romantic relationships that will rend their friendship, and in the wake of this rupture, Thomas develops an obsession with a vanished nineteenth-century astronomer said to haunt a nearby manor, and Grace flees Aldleigh entirely for London.Over the course of twenty years, by coincidence and design, Thomas and Grace will find their lives brought back into orbit as the mystery of the vanished astronomer unfolds into a devastating tale of love and scientific pursuit. Thomas and Grace will ask themselves what it means to love and be loved, what is fixed and what is mutable, how much of our fate is predestined and written in the stars, and whether they can find their way back to each other.A dazzling work of literary fiction, a story of love and astronomy told over the course of twenty years through the lives of two improbable best friends. A thrillingly ambitious novel of friendship, faith, and unrequited love, rich in symmetry and symbolism, Enlightenment is a shimmering wonder of a book and Sarah Perry’s finest work to date.

Welcome to Buenos Aires, a city thrumming with murderous intentions and morbid desires, where missing children come back from the dead and unearthed bones carry terrible curses. These brilliant, unsettling tales of revenge, witchcraft, fetishes, disappearances, and urban madness spill over with women and girls whose dark inclinations will lead them over the edge.EndorsementsMariana Enríquez is a mesmerizing writer who demands to be read. Like Bolaño, she is interested in matters of life and death, and her fiction hits with the full force of a train. — Dave Eggers

In 1959 Florence Green, a kindhearted widow with a small inheritance, risks everything to open a bookshop—the only bookshop—in the seaside town of Hardborough. By making a success of a business so impractical, she invites the hostility of the town's less prosperous shopkeepers. By daring to enlarge her neighbors’ lives, she crosses Mrs. Gamart, the local arts doyenne. Florence’s warehouse leaks, her cellar seeps, and the shop is apparently haunted.Only too late does she begin to suspect that a town that lacks a bookshop isn’t always a town that wants one.Basis for the major motion picture starring Emily Mortimer, Bill Nighy, and Patricia Clarkson.Endorsements"A marvelously piercing fiction" — Times Literary Supplement.Short-listed for the Booker Prize.Penelope Fitzgerald — National Book Critics Circle Award–winning author.

A wry, affecting tale set in a small town on the Indonesian coast, Man Tiger tells the story of two interlinked and tormented families and of Margio, a young man ordinary in all particulars except that he conceals within himself a supernatural female white tiger. The inequities and betrayals of family life coalesce around and torment this magical being. An explosive act of violence follows, and its mysterious cause is unraveled as events progress toward a heartbreaking revelation.Lyrical and bawdy, experimental and political, this extraordinary novel announces the arrival of a powerful new voice on the global literary stage.

Colette and Alison are unlikely cohorts: one a shy, drab beanpole of an assistant, the other a charismatic, corpulent psychic whose connection to the spiritual world torments her. When they meet at a fair, Alison invites Colette at once to join her on the road as her personal assistant and companion. Troubles spiral out of control when the pair moves to a suburban wasteland in what was once the English countryside. It is not long before the place beyond black threatens to uproot their lives forever.This is Hilary Mantel at her finest—insightful, darkly comic, unorthodox, and thrilling to read.

Five disparate voices inhabit Ali Smith's dreamlike, mesmerising Hotel World, set in the luxurious anonymity of the Global Hotel, in an unnamed northern English city. The disembodied yet interconnected characters include Sara, a 19-year-old chambermaid who has recently died at the hotel; her bereaved sister, Clare, who visits the scene of Sara's death; Penny, an advertising copywriter who is staying in the room opposite; Lise, the Global's depressed receptionist; and the homeless Else who begs on the street outside. Smith's ambitious prose explores all facets of language and its uses. Sara takes us through the moment of her exit from the world and beyond; in her desperate, fading grip on words and senses she gropes to impart the meaning of her death in what she terms "the lift for dishes"—then comes a flash of clarity: "That's the name for it, the name for it; that's it; dumb waiter dumb waiter dumb waiter." Blended with hers are other voices: Penny's bland journalese and Else's obsession with metaphysical poetry.Hotel World is not an easy read: disturbing and witty by turns, with its stream-of-consciousness narrators reminiscent of Virginia Woolf's The Waves, its deceptively rambling language is underpinned by a formal construction. Exploring the "big themes" of love, death and millennial capitalism, it takes as its starting point Muriel Spark's Memento Mori ("Remember you must die") and counteracts this axiom with a resolute "Remember you must live".Endorsements“Ali Smith's novel is a daring, compelling, and frankly spooky read.” — Catherine Taylor

A moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented.February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. "My poor boy, he was too good for this earth," the president says at the time. "God has called him home." Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy's body.From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie's soul.Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction's ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?Endorsements#1 New York Times bestseller — Winner of the Man Booker PrizeNamed One of the Ten Best Books of the Year by The Washington Post, USA Today, and Maureen Corrigan of NPR; One of Time's Ten Best Novels of the Year; A New York Times Notable Book."A luminous feat of generosity and humanism." — Colson Whitehead, The New York Times Book Review"A masterpiece." — Zadie Smith

Merricat Blackwood lives on the family estate with her sister Constance and her Uncle Julian. Not long ago there were seven Blackwoods—until a fatal dose of arsenic found its way into the sugar bowl one terrible night. Acquitted of the murders, Constance has returned home, where Merricat protects her from the curiosity and hostility of the villagers. Their days pass in happy isolation until cousin Charles appears. Only Merricat can see the danger, and she must act swiftly to keep Constance from his grasp.