2024 New Non-Fiction

In Roman Year, André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome after being expelled from Egypt. Though Aciman’s family had been well-off in Alexandria, all vestiges of their status vanished when they fled, and the author, his younger brother, and his deaf mother moved into a rented apartment (eventually revealed to be a recently vacated brothel) on Via Clelia. Though dejected, Aciman’s mother and brother found their way into life in Rome, while Aciman burrowed into his bedroom. The world of novels eventually allowed him to open up to the city and, through them, discover the beating heart of the Eternal City. Aciman’s time in Rome did not last long before he and his family moved across the ocean, but by the time they did, he was leaving behind a city he loved. In this memoir, the author conjures the sights, smells, tastes, and people of Rome as only he can. Aciman captures, as if in amber, a living portrait of himself on the brink of adulthood and the city he worshipped at that pivotal moment. Roman Year is a treasure, unearthed by one of our greatest prose stylists.The author of Call Me by Your Name returns with a deeply romantic memoir of his time in Rome while on the cusp of adulthood.Endorsements"a genius of the poetry of the place" — John Domini, The Boston Globe

From one of the most iconic actors in the history of film, an astonishingly revelatory account of a creative life in full. To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park, in 1971, and by 1975, he had starred in four movies—The Godfather and The Godfather Part II, Serpico, and Dog Day Afternoon—that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force. But Pacino was in his mid-thirties by then, and had already lived several lives. A fixture of avant-garde theater in New York, he had led a bohemian existence, working odd jobs to support his craft. He was raised by a fiercely loving but mentally unwell mother and her parents after his father left them when he was young, but in a real sense he was raised by the streets of the South Bronx, and by the troop of buccaneering young friends he ran with, whose spirits never left him. After a teacher recognized his acting promise and pushed him toward New York’s fabled High School of Performing Arts, the die was cast. In good times and bad, in poverty and in wealth and in poverty again, through pain and joy, acting was his lifeline, its community his tribe. Sonny Boy is the memoir of a man who has nothing left to fear and nothing left to hide. All the great roles, the essential collaborations, and the important relationships are given their full due, as is the vexed marriage between creativity and commerce at the highest levels. The book’s golden thread, however, is the spirit of love and purpose. Love can fail you, and you can be defeated in your ambitions—the same lights that shine bright can also dim. But Al Pacino was lucky enough to fall deeply in love with a craft before he had the foggiest idea of any of its earthly rewards, and he never fell out of love. That has made all the difference.

In February 1946, when 21-year-old Malcolm Little was sentenced to eight to ten years in a maximum-security prison, he was a petty criminal and street hustler in Boston. By the time he was paroled in August 1952, he had transformed into a voracious reader, joined the Black Muslims, and was poised to become Malcolm X, one of the most prominent and important intellectuals of the civil rights era.While scholars and commentators have exhaustively detailed, analyzed, and debated Malcolm X’s post-prison life, they have not explored these six and a half transformative years in any depth.Paying particular attention to his time in prison, Patrick Parr’s Malcolm Before X provides a comprehensive and groundbreaking examination of the first twenty-seven years of Malcolm X’s life (1925–1965). Parr traces Malcolm’s African lineage, explores his complicated childhood in the Midwest, and follows him as he moves east to live with his sister Ella in Boston’s Roxbury neighborhood, where he is convicted of burglary and sentenced.Parr utilizes a trove of previously overlooked documents that include prison files and prison newspapers to immerse the reader into the unique cultures—at times brutal and at times instructional—of Charlestown State Prison, the Concord Reformatory, and the Norfolk Prison Colony. It was at these institutions that Malcolm devoured books, composed poetry, boxed, debated, and joined the Nation of Islam, changing the course of his life and setting the stage for a decade of antiracist activism that would fundamentally reshape American culture.In this meticulously researched and beautifully written biography, the inspiring story of how Malcolm Little became Malcolm X is finally told.

In the 18th century, two men dedicated their lives to the same daunting task: identifying and describing all life on Earth. Their approaches could not have been more different. Carl Linnaeus, a pious Swedish doctor with a huckster's flair, believed that life belonged in tidy, static categories. Georges-Louis de Buffon, an aristocratic polymath and keeper of France's royal garden, viewed life as a dynamic swirl of complexities. Both began believing their work to be difficult, but not impossible—how could the planet possibly hold more than a few thousand species? Stunned by life's diversity, both fell far short of their goal. But in the process they articulated starkly divergent views on nature, on humanity's role in shaping the fate of our planet and on humanity itself.The rivalry between these two unique, driven individuals created reverberations that still echo today. Linnaeus, with the help of acolyte explorers he called "apostles" (only half of whom returned alive), gave the world such concepts as mammal, primate and homo sapiens—but he also denied species change and promulgated racist pseudo-science. Buffon coined the term reproduction, formulated early prototypes of evolution and genetics, and argued passionately against prejudice. It was a clash that, during their lifetimes, Buffon seemed to be winning. But their posthumous fates would take a very different turn.With elegant, propulsive prose grounded in more than a decade of research, Jason Roberts tells an unforgettable true-life tale of intertwined lives and enduring legacies, tracing an arc of insight and discovery that extends across three centuries into the present day.This dramatic, globe-spanning and meticulously researched story of two scientific rivals and their race to survey all life on Earth.

If there is one feature that defines the human condition, it is written, spoken, signed, understood, and misunderstood, in all its infinite glory. In this ingenious, lyrical exploration, Julie Sedivy draws on years of experience in the lab and a lifetime of linguistic love to bring the discoveries of linguistics home, to the place language itself occupies within the yearnings of the human heart and amid the complex social bonds that it makes possible.A Life of Language Love follows the path that language takes through a human life—from an infant’s first attempts at sense-making to the vulnerabilities and losses that accompany aging. As Sedivy shows, however, language and life are inextricable, and here she offers them: a childish misunderstanding of her mother’s meaning reveals the difficulty of relating to other minds; frustration with “professional” communication styles exposes the labyrinth of standards that define success; the first signs of hearing loss lead to a meditation on society’s discomfort with physical and mental limitations.Part memoir, part scientific exploration, and part cultural commentary, this book epitomizes the thrills of a life steeped in the aesthetic delights of language and the joys of its scientific scrutiny.A celebration of the beauty and mystery of language and how it shapes our lives, our loves, and our world.

Red America and Blue America are so divided they could be two different countries, with wildly diverging views of why government exists and who counts as American. Their ideologies are grounded in different versions of American history, endorsing irreconcilable visions of patriotism and national identity.A Great Disorder is a bold, urgent work that helps us make sense of today’s culture wars through a brilliant reconsideration of America’s foundational myths and their use in contemporary politics. Famous for his trilogy on the Myth of the Frontier, Richard Slotkin identifies five myths, born of different eras, that have shaped our conception of what it means to be American: the myths of the Frontier; the Founding; the Civil War (which he breaks into two opposing camps, Emancipation and the Lost Cause); and the Good War, embodied by the multiethnic platoon fighting for freedom. His argument is that while Trump and his MAGA followers have played up a frontier-inspired hostility to the federal government and rallied around Confederate symbols to champion a racially exclusive definition of American nationality, Blue America, taking its cue from the protest movements of the 1960s, envisions a limitlessly pluralistic country in which the federal government is the ultimate enforcer of rights and opportunities. American history—and the foundations of our democracy—have become a battleground. It is not clear which vision will prevail.As culture wars pit us against each other, A Great Disorder looks to the myths that have shaped American identity and reveals how they have brought us to the brink of an existential crisis.

We are born, and life breaks us. We spend the rest of our lives trying to put ourselves back together. “To return, to be made whole again. This is another word for love,” writes Carvell Wallace. In Another Word for Love, Wallace excavates layers of his own history, situated in the struggles and beauty of growing up Black and queer in America. What follows could be another narrow story of pain and survival, recounting hurt and centering suffering. But this is not that kind of memoir.Wallace is an award-winning journalist who has built his career writing unforgettable profiles, bringing a provocative and engaged sensitivity to his subjects. Now he turns the focus on himself, examining his own life and the circumstances that frame it—making sense of seeking refuge from homelessness with a young single mother, living in a ghostly white Pennsylvania town, becoming a partner and parent, and raising two teenagers in what feels like a collapsing world.With courage, vulnerability, and a remarkable expansiveness of spirit—not to mention an unrivaled, thrilling, and stylistic storytelling verve—in a world that can feel stacked against it, Another Word for Love makes an irresistible case for life, for healing, for the fullness of our humanity, and, of course, for love itself. This extraordinary, one-of-a-kind book is a radical meditation on healing, told through the lenses of justice, sex, family, and death. It could be called a theory of life itself—a theory of being that will leave you open to the expansive wonder of the world.A transformative memoir that reimagines the conventions of love and posits a radical vision for healing.

Joan Acocella has the rare ability to examine literature and unearth the lives contained within it—its authors, its subjects, and the communities from which it sprung. In her hands, arts criticism becomes a celebration and an investigation, and her essays pulse with unadulterated enthusiasm.The Bloodied And Other Essays gathers twenty-four essays from the past decade and a half of Acocella’s career, as well as an introduction that frames her simple preoccupations, “life and art.” In agile, inspired prose, the New Yorker staff writer moves from J. R. R. Tolkien's translation of Beowulf to the life of Richard Pryor, from surveying profanity to untangling in the book of Job. Her appetite (and reading list) knows no bounds.The New Yorker critic examines the books that reveal and record our world in a new essay collection. This collection is a joy and a revelation, a library in itself, and Acocella our dream companion among its shelves.Endorsements“one of our finest cultural critics” — Edward Hirsch“Hers is a vision that allows art its mystery but not its pretensions, to which she is acutely sensitive. What better instincts could a critic have?” — Kathryn Harrison, The New York Times

In 1937, Roger Penrose and his father discovered a sundial in a clearing behind their house in Colchester. In that machine made of light, shadow and time, six-year-old Roger discovered a 'world behind the world' of transcendently beautiful geometry. He had begun a journey that would make him one of the past century's most influential mathematicians, philosophers and physicists.He received a Nobel Prize, a knighthood and dozens of other prestigious honours. He proved the limitations of general relativity and set a new agenda for theoretical physics.But success came at a price as he struggled to connect with friends, family and especially the women in his life. He has spent his final years alone with his research, intentionally cut off from the people who loved him.Compelling and deeply moving, The Impossible Man intimately depicts the relationship between Penrose the scientist and Roger the human being. It reveals the tragic cost — to himself and those closest to him — for his extraordinary life.

New Yorker journalist Jonathan Blitzer has been covering the immigration crisis at America’s southern border for nearly a decade, but the current emergency is the end of a much larger story. In this, his first book, Blitzer goes back to the shadowy civil wars in El Salvador and Guatemala in the 1980s; to the American prison system in the 1990s and the policies of mass deportation that transformed local street criminals into international crime syndicates; to Honduras’s brutal crackdown on crime in the 2000s and the emergence of gangs across Central America and the United States. And then the Trump era, in which immigration became a vector of resurgent populism, with mass internments the order of the day.Everyone Who Is Gone Is Here is a fresh and full account of America’s immigration problems, but it is much more than that. It is an odyssey of struggle and resilience, telling the epic story of people whose lives ebb and flow across the border and those who help and hinder them. It is a gripping and persuasive attempt to answer not only the question of how America got there, but the vital question of who we are and who we want to be in our liberal Western democracies, whether we are incarcerating children on our southern borders or watching them drown on the shores of the Mediterranean.

The definitive story of the decades-long relationship between the United States and Saddam Hussein, and a deeply researched, news-breaking investigation into how human error, cultural miscommunication, and hubris led to one of the costliest geopolitical conflicts of our time.When the United States invaded Iraq in 2003, its message was that Iraq, under the control of strongman Saddam Hussein, possessed weapons of mass destruction which, if left unchecked, posed grave danger to the world. But when no WMDs were found, the US and its allies were forced to examine the political and intelligence failures that had led to the invasion and the occupation, and the civil war that followed. One integral question has remained: Why had Saddam seemingly sacrificed his long reign in power by giving the false impression that he possessed hidden stocks of dangerous weapons?The Achilles Trap masterfully untangles the people, ploys of power, and geopolitics that led to America’s disastrous war with Iraq, and, for the first time, dramatizes America’s fundamental miscalculations during its decades-long relationship with Saddam Hussein. Beginning with Saddam’s rise to power in 1979 and the birth of Iraq’s secret nuclear weapons program, Steve Coll traces Saddam’s motives by way of his inner circle. He brings to life the diplomats, scientists, family members, and generals who had no choice but to defer to their leader—a leader directly responsible for the deaths of hundreds of thousands of Iraqis, as well as the torture or imprisonment of hundreds of thousands more. This was a man whose reasoning was impossible to reduce to a simple explanation, and the CIA and successive presidential administrations failed to grasp critical nuances of his paranoia, resentments, and inconsistencies—even when the stakes were incredibly high.Calling on unpublished and under-reported sources, interviews with surviving participants, and Saddam’s own transcripts and audio files, many of which remain unavailable to the public, Coll pulls together an incredibly comprehensive portrait of a man who was convinced the world was out to get him, and acted accordingly. A work of great historical significance, The Achilles Trap is the definitive account of how corruptions of power, lies of diplomacy, and vanity—on both sides—led to avoidable errors of statecraft, ones that would enact immeasurable human suffering and forever change the political landscape as we know it.EndorsementsBestselling and Pulitzer Prize–winning author Steve Coll.

The first sweeping history of sex and sexuality in America since John D’Emilio and Estelle Freedman’s classic work, Intimate Matters, Rebecca L. Davis’s Fierce Desires presents a story of dramatic and often surprising change. Davis’s absorbing narrative takes us across four hundred years, from two-spirit people among the Pueblo Indians in the seventeenth century to the gay rights activist Kiyoshi Kuromiya in the twentieth. At every step, she documents the existence of gender nonconformity, queer love, and abortion—facts of sexual life deemed by the Right to be very recent inventions. At the same time, Davis argues that Americans shifted from understanding sexual behaviors as meaningful but secondary reflections of otherwise nonsexual personal qualities to understanding sexuality as a fundamental aspect of the human condition, essential to what makes a person who they are. Creating a new genealogy of sexual pioneers, Davis writes back into history people and ideas that have been forgotten, ignored, or intentionally suppressed.From an esteemed scholar, a richly textured, authoritative history of sex and sexuality in America—the first major account in three decades.

An intense, intimate, and first-of-its-kind look at the world of human smuggling in Latin America by a MacArthur "genius" grant winner and anthropologist with unprecedented access.Political instability, poverty, climate change, and the insatiable appetite for cheap labor all fuel clandestine movement across borders. As those borders harden, the demand for smugglers who aid migrants across them increases every year. Yet the real lives and work of smugglers—or coyotes, or guides, as they are often known by the migrants who hire their services—are only ever reported on from a distance, using tired tropes and stereotypes, often depicted as boogeymen and violent warlords. In an effort to better understand this essential yet extralegal, billion-dollar global industry, internationally recognized anthropologist and expert Jason De León embedded with a group of smugglers moving migrants across Mexico over the course of seven years.The result of this unique and extraordinary access is Soldiers and Kings, the first-ever in-depth, character-driven look at human smuggling. It is a heart-wrenching and intimate narrative that revolves around the life and death of one coyote who falls in love and tries to leave smuggling behind. In a powerful, original voice, De León expertly chronicles the lives of low-level foot soldiers breaking into the smuggling game, and morally conflicted gang leaders who oversee ragtag crews of guides and informants along the migrant trail. Soldiers and Kings is not only a groundbreaking, up-close glimpse of a difficult-to-access world, it is a masterpiece of narrative nonfiction.

This takedown of American gun culture argues that the nation’s founders did not intend the Second Amendment to guarantee an individual right to bear arms—and that this distortion of the record is an urgent threat to democracy.More than a hundred lives are lost to firearms every day in America. The cost is more than the numbers—it is the fear, the anxiety, the dread of public spaces that an armed society has created under the tortured rubric of freedom. But the norms of today are not the norms of American history or the values of its founders. They are the product of a gun culture that has imposed its vision on a sleeping nation.Historian Dominic Erdozain argues that we have wrongly ceded the big-picture argument. As we parse legislation on background checks and automatic-weapons bans, we fail to ask what place guns should have in a functioning democracy. Taking readers on a brilliant historical journey, Erdozain shows how the founders feared the tyranny of individuals as much as the tyranny of kings—the idea that any person had a right to walk around armed was anathema to their notion of freedom and the peaceful republic they hoped to build. They wrote these ideas into the Constitution and the Bill of Rights, ideas that were subsequently affirmed by two centuries of jurisprudence.And yet the twin scourges of racism and nationalism would combine to create a darker American vision—a rogue and reckless freedom based on birth and blood. It was this freedom, not the liberty promised by the Constitution, that generated our modern gun culture, with its mystic conceptions of good guys and bad guys, innocence and guilt. By the time the U.S. Supreme Court reinvented the Second Amendment in 2008’s District of Columbia v. Heller, an opinion that Erdozain convincingly eviscerates, many Americans had already acceded to the unfreedom of an armed society. To save our democracy, he argues, we must fight for the founders’ true idea of what it means to be free.

A searing and deeply personal memoir that explores the institutions—family, society, country—that defined a Puerto Rican woman and what she unlearned to rediscover herself.Growing up in the Midwest, raised by a Puerto Rican mother who was abandoned by her family, Jamie Figueroa and her sisters were estranged from their culture, consumed by the whiteness that surrounded them. In Mother Island, Figueroa traces her search for identity as shaped by and against a mother who settled into the safety of assimilation. In lyrical, blistering prose, Figueroa recalls a childhood in Ohio in which she was relegated to the background of her mother’s string of failed marriages; her own marriage in her early twenties to a man twice her age; how her work as a licensed massage therapist helped her heal her body trauma; and how becoming a mother has reshaped her relationship to her family and herself. Only as an adult in New Mexico was Figueroa able to forge her own path, using writing to recast her origin story. In a journey that takes her to Puerto Rico and back, Figueroa looks to her ancestors to reimagine her relationship to the past and to her mother’s native island, reaching beyond her own mother into a greater experience of mothering and claiming herself.In stunning prose that draws from Puerto Rican folklore and mythology, a literary lineage of women writers of color, and narratives of identity, Figueroa presents a cultural coming-of-age story. Candid and raw, Mother Island gets to the heart of the question: Who do we become when we are no longer trying to be someone else?

“Fair to say, I was in a ribald state the summer before my fiftieth birthday.” And so begins Alexandra Fuller’s open, vivid new memoir, Fi. It’s midsummer in Wyoming and Alexandra is barely hanging on. Grieving her father and pining for her home country of Zimbabwe, reeling from a midlife breakup, freshly sober and piecing her way uncertainly through a volatile new relationship with a younger woman, Alexandra vows to get herself back on an even keel.And then—suddenly and incomprehensibly—her son Fi, at 21 years old, dies in his sleep.No stranger to loss—young siblings, a parent, a home country—Alexandra is nonetheless leveled. At the same time, she is painfully aware that she cannot succumb and abandon her two surviving daughters as her mother before her had done. From a sheep wagon deep in the mountains of Wyoming to a grief sanctuary in New Mexico to a silent meditation retreat in Alberta, Canada, Alexandra journeys up and down the spine of the Rocky Mountains in an attempt to find how to grieve herself whole. There is no answer, and there are countless answers—in poetry, in rituals and routines, in nature and in the indigenous wisdom she absorbed as a child in Zimbabwe. By turns disarming, devastating and unexpectedly, blessedly funny, Alexandra recounts the wild medicine of painstakingly grieving a child in a culture that has no instructions for it.

A shocking and revelatory account of the murder of Emmett Till that lays bare how forces from around the world converged on the Mississippi Delta in the long lead-up to the crime, and how the truth was erased for so long.Wright Thompson’s family farm in Mississippi is 23 miles from the site of one of the most notorious and consequential killings in American history, yet he had to leave the state for college before he learned the first thing about it.To this day, fundamental truths about the crime are widely unknown, including where it took place and how many people were involved. This is not: the cover-up began at once, and it is ongoing.In August 1955, two men, Roy Bryant and J.W. Milam, were charged with the torture and murder of the 14-year-old Emmett Till in Money, Mississippi. After their acquittal—an obvious mockery of justice—they gave a false confession to a journalist that misled about where the long night of hell took place and who was involved.In fact, Wright Thompson reveals that at least nine people can be placed at the scene, which was inside the barn of one of the killers, on a plot of land within the six-square-mile grid whose official name is Township 22 North, Range 4 West, Section 2, West Half, fabled in the Delta of myth as the birthplace of the blues on nearby Dockery Plantation.Even in the context of the brutal caste regime of the time, the four-hour torture and murder of a boy barely in his teens for whistling at a young white woman was acutely depraved. Till’s mother, Mamie Till-Mobley, decided to keep the casket open, searing the crime indelibly into American consciousness.Wright Thompson has a deep understanding of this story—the world of the families of both Emmett Till and his killers, and all the forces that aligned to place them together on that spot on the map. As he shows, the full horror of the crime was its inevitability, and how much about it we still need to understand.Ultimately this is a story about property, and money, and power. It implicates all of us.In The Barn, Thompson befriends the few people who have been engaged in the hard, fearful business of bringing the truth to light—people like Wheeler Parker, Emmett Till’s friend who came down from Chicago with him that summer and is the last person alive to know him well.Wheeler Parker’s effort to put the killing floor of the barn on the map of Township 22 North, Range 4 West, Section 2, West Half—and thus on the map of the Delta and America—is a journey we all need to take if this country is to heal from its oldest, deepest wound.

As with the rest of her literary career, Dubravka Ugrešić's final work, A Muzzle for Witches, is uncategorizable. On its surface, the book is a conversation with the literary critic Merima Omeragić, covering topics such as "Women and the Male Perspective," "The Culture of (Self)Harm," and "The Melancholy of Vanishing."But the book is more than a simple conversation. It's a roadmap of the literary world, exploring the past century and all of its violence and turmoil—especially in Yugoslavia, Ugrešić's birth country—and pointing the way forward for feminist writing.One of the greatest thinkers of the past hundred years, Ugrešić was one of a kind; her novels and literary essays pushed the bounds of form and content. A Muzzle for Witches offers the chance to see her at her most raw and most playful.

In this, her most urgent book yet, Jessica Valenti dispels misinformation and cuts through the headline overwhelm to illuminate the full-scale assault conservative lawmakers have launched on women’s freedom—and fundamental human rights. Valenti provides the language to talk about abortion with confidence and the facts to convince.American voters overwhelmingly support abortion rights and have for decades. In the years since Roe v. Wade was overturned, that support has been growing, as nearly seventy percent of Americans want abortion to be legal in the first three months of pregnancy, and sixty-three percent want abortion medication to be legal. Abortion is among the key tools conservatives use to roll back decades of advances for women, but here Valenti arms readers with the truth needed to fight back and win, not only at the dinner table but at the polling station and all the way to the Supreme Court.A clear and concise guide to the politics of post-Roe America, for readers eager to understand the attacks on our bodies and freedom—and to do something about itEndorsementsJessica Valenti is a New York Times–bestselling author.

In the summer of 2016, a divisive presidential election was underway, and a new breed of right-wing rage was on the rise. Emily Witt, who would soon publish her first book on sex in the digital age, had recently quit antidepressants for a more expansive world of psychedelic experimentation. From her apartment in Brooklyn, she began to catch glimpses of the clandestine nightlife scene thrumming around her.In Health and Safety, Witt charts her immersion into New York City’s dance music underground. Emily would come to lead a double life. By day she worked as a journalist, covering gun violence, climate catastrophes, and the rallies of right-wing militias. And by night she pushed the limits of consciousness in hollowed-out office spaces and warehouses to music that sounded like the future. But no counterculture, no matter how utopian, could stave off the squalor of American politics and the cataclysm of 2020.Affectionate yet never sentimental, Health and Safety is a lament for a broken relationship, for a changed nightlife scene, and for New York City just before the fall. Sparing no one—least of all herself—Witt offers her life as a lens onto an era of American delirium and dissolution.From the New Yorker staff writer and acclaimed author of Future Sex, a memoir about sex, drugs, and techno in a time of madness.Endorsements“introspective and breathtakingly honest” — New York Times Book Review

By way of H. G. Wells and Rebecca West’s affair, through 1930s nuclear physics, to Flanagan’s father working as a slave labourer near Hiroshima when the atom bomb is dropped, this genre-defying daisy chain of events reaches fission when Flanagan, as a young man, finds himself trapped in a rapid on a wild river, not knowing whether he will live or die.At once a love song to his island home and to his parents, this hypnotic melding of dream, history, literature, place, and memory shows how reality is never made by realists and how our lives so often arise out of the stories of others and the stories we invent about ourselves.

When she turned ninety, my mother sprang a final surprise on us. She started speaking in the voice of a stranger.Peter’s mother is dying. Born in England and having spent most of her adult life as a doctor in Zimbabwe, she now lies on a hospital bed in the partitioned living room of his sister’s London apartment, her accent having overnight become posher than the Queen’s. Unsentimental, fiercely stubborn and at times hilarious, she finally drops her guard, losing all fear of conflict to become the family provocateur.While confronting the revelations of what his family was – and wasn’t – and the stoicism that sometimes threatened to destroy them, Peter also mourns the ending of his long marriage. At this point of rupture and healing, Peter reflects on his family’s legacy of exile and their tenuous hold on home.In Exit A Story of Love, Loss and Occasional Wars, Peter Godwin considers, with both tenderness and candour, the life of émigrés, exiles and refugees, and grieves the many losses that make life both magnificent and unbearable. He brings us into the spaces that make us question, suffer and celebrate the relationships we have among family and friends, and the healing of our own wounds.

I Will Do Better is Charles Bock's frank and tender memoir of parenting his toddler daughter in the wake of his wife's untimely death.The novelist Charles Bock was a reluctant parent, tagging along for the ride of fatherhood, obsessed primarily with his dream of a writing career. But when his daughter Lily was six months old, his wife, Diana, was diagnosed with a complex form of leukemia. Two and a half years later, when all treatments and therapies had been exhausted, Bock found himself a widower—devastated, drowning in medical bills, and saddled with a daunting responsibility. He had to nurture Lily, and, somehow, maybe even heal himself.I Will Do Better is Charles's pull-no-punches account of what happened next. Playdates, music classes, temper tantrums, oh-so-cool babysitters, first days at school, family reunions, single-parent dating, and a citywide crippling natural disaster—were minefields especially treacherous for Charles and Lily because of their preexisting vulnerability: their grief. Charles sought help from friends, family, and therapists, but this overgrown, middle-aged boy-man and his plucky child became, foremost, a duo—they found their way together.By turns comical and heartbreaking, I Will Do Better does not shy from moments of sadness, anger, or awkwardness. It's the remarkable journey of two defiant and wounded people, and their personal growth in the name of love.EndorsementsNew York Times bestseller

Now she brings her whip-smart yet accessible sensibility along for a ride through another subculture of elite obsessives.In Get the Picture, Bosker plunges deep inside the world of art and the people who live for gallerists, collectors, curators and, of course, artists themselves — the kind who work multiple jobs and let their paintings sleep soundly in the studio while they wake up covered in cat pee on a friend's couch. As she stretches canvases until her fingers blister, talks her way into A-list parties full of billionaire collectors, has her face sat on by a nearly naked performance artist and forces herself to stare at a single sculpture for an hour straight while working as a museum security guard, she discovers not only the inner workings of the art-canonization machine but also a more expansive way of living.Get the Picture is a rollicking adventure that will change the way you see forever.

In her first full-length non-fiction since the influential A Map to the Door of No Return, Dionne Brand explores 17th, 18th and 19th-century English and American literature — and the colonial aesthetic that shaped her sense of self and world, of what was possible and what was not."Coloniality constructs outsides and insides—worlds to be chosen, disturbed, interpreted, and navigated—in order to live something like a real self."In Salvage, internationally acclaimed poet and novelist Dionne Brand offers a bracing account of reading, life and what remains in the wreck of empire. Uniquely and powerfully blending criticism and autobiography-as-artifact, Brand explores her encounters with colonial, imperialist and racist tropes in famous and familiar books, looking particularly at the extraordinary implications and modern-day reverberations of stories such as Defoe's Robinson Crusoe and Austen's Mansfield Park; the ways that the practices of reading and writing are shaped by those narrative structures; and the challenges of writing a narrative of Black life that attends to its own consciousness and expression. Making and remaking the self in relation to these dominant cultural narratives, Brand learned to read the literature of two empires, the British and the American, in an anti-colonial light — in order to survive, in order to live.The scene is the act of reading; the book, another kind of forensics — a forensics of the literary substance of which the author is made and from which she must recover. Or, if not recover, then piece together as artifact.Much more than autobiography, and much more than a work of literary criticism, Salvage is gripping, witty, revelatory and essential reading by one of our most powerful and brilliant writers.

They broke down the doors of Wall Street's old boys' club, finding their first foothold in small brokerage houses before making their way into investment banks and exchange floors.With a thick skin and a dash of humour, as needed, they pushed back against those who said they did not belong.Until they finally made it.Introducing the Women of Wall Street . . .First came the secretaries who struggled to get past the typing pool. Then came the first Harvard Business School grads who were laughed out of interviews. But by the 1980s, with markets in turbo-drive, women were playing for high stakes in Wall Street's bad-boy culture by day and clubbing by night.In She Wolves, award-winning historian Paulina Bren tells the inside story of how women infiltrated Wall Street, from the swinging sixties - a time when 'No Ladies' signs hung across the doors of its luncheon clubs and (more discretely) inside its brokerage houses and investment banks - up to 9/11. If the wolves of Wall Street made a show of their ferocity, the she wolves did so with subtlety and finesse, navigating a bawdy subculture where unapologetic sexism and racism were the norm.As engaging as it is enraging, She Wolves is a fascinating behind-the-scenes deep dive into the collision of women, finance and New York.Endorsements"Vivid... Riveting" — Liza Mundy, author of Code Girls"Fascinating... Gorgeous" — Amy Odell, author of Anna

You must always be yourself no matter what the price . . . Don’t dare destroy your passion for the sake of others.The Warhol superstar and transgender icon Candy Darling was glamour personified, but she was without a real place in the world.Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max’s Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.Yet Candy lived on the edge, relying on the kindness of strangers, friends, and her quietly devoted mother, sleeping on couches and in cheap hotel rooms, keeping a part of herself hidden. She wanted to be a star, but mostly she wanted to be loved. Her last diary entry “I shall try to be grateful for life . . . Cannot imagine who would want me.” Candy died at twenty-nine in 1974, just as conversations about gender and identity were beginning to enter the broader culture. She never knew it, but she changed the world.Brimming with all the fizz and wildness of New York in the 1960s and ’70s, this is the first biography of this extraordinary figure—an unintentional pioneer who became an icon. Cynthia Carr’s Candy Darling is packed with tales of luminaries, gossip, and meticulous research, laced with Candy’s words and her friends’ recollections, and signals Candy’s long-overdue return to the spotlight.From the acclaimed biographer Cynthia Carr, the first full portrait of the queer icon and Warhol superstar Candy Darling.EndorsementsFeatured in The New York Times Book Review; Nylon; Star Tribune; Ms.; Kirkus Reviews; The Bay Area Reporter; Town & Country; InsideHook.“[A] monumental biography.” — Hilton Als, The New Yorker“A rich portrait of a glittering, communal, and bygone NYC . . . [and] of the glamorous queer icon.” — Arimeta Diop, Vanity Fair

In 2002, Zara Chowdhary was sixteen years old and living with her family in Ahmedabad, one of India's fastest-growing metropolises, when a gruesome anti-Muslim pogrom upended her world. Instead of taking her school exams, she was put under a three-month lockdown with thousands of others, fearing for their community and their lives. The chief minister in the state at the time, Narendra Modi, accused of fomenting anti-Muslim violence, would become prime minister of India and lead a government committed to eroding the rights of India’s 220 million Muslims.In The Lucky Ones, Chowdhary weaves the past and the present of her multigenerational Muslim family, juxtaposing the horrific violence of rising fascistic forces on the streets with the more mundane violence of patriarchal Indian joint families at the dinner table. Through the stories of sisters, daughters, and mothers raising each other, Chowdhary shows how women hold this world together with their ability to forgive, find laughter, and offer grace even as the world they know, and their place in it, is falling apart.With lyrical clarity and intimacy, The Lucky Ones is a poetic remembrance of how a country’s promise of a multi-ethnic secular democracy can so easily dissolve and descend into extremism. Chowdhary’s story is a protest against the erasure of India's Muslims, a testimony of a lost girlhood, and a testament to her family and country's entwined lives.A moving memoir by a survivor of anti-Muslim violence in contemporary India that delicately weaves political and family histories in a tribute to India's vibrant multiethnic society and the resilience of its women and minorities, especially in the face of growing religious extremism.Endorsements“A warning, thrown to the world, and a stunning debut — Chowdhary is a much-needed new voice.” — Alexander Chee

Rising star New York Times technology reporters Kate Conger and Ryan Mac tell for the first time the full and shocking inside story of Elon Musk’s unprecedented hostile takeover of Twitter and the forty-four-billion-dollar deal’s seismic political, social, and financial fallout.The billionaire entrepreneur and Tesla CEO Elon Musk has become inextricable from the social media platform that until 2023 was known as Twitter. Started in the mid-2000s as a playful microblogging platform, Twitter quickly became a vital nexus of global politics, culture, and media—where the retweet button could instantly catapult any idea to hundreds of millions of screens around the world, unleashing raw collective emotion like nothing else before. While its founder had idealistically dreamed of building a "digital town square," he detested Wall Street and never focused on building a profitable business.Musk joined the platform in 2010 and, by 2022, had become one of the site’s most influential users, amassing over 80 million followers with a mix of provocations, promotion of his companies, and attacks on his enemies. To Musk, Twitter—once known for its almost absolute commitment to free speech—had badly lost its way. He blamed it for the proliferation of what he called the “woke mind virus” and claimed that the survival of democracy and the human race itself depended on the future of the site.In January 2022, Musk began secretly accumulating Twitter stock. By April he was its largest shareholder, and soon after he made an unsolicited offer to purchase the company for the sum of $44 billion. Backed into a corner, Twitter’s board accepted his offer—but Musk quickly changed his mind, forcing Twitter to sue him to close the deal in October.The richest man on earth controlled one of the most powerful media platforms in the world—but at what price? Before long Twitter would be gone for good, replaced by something radically different, as Musk remade the company in his own image from the ground up.The story of the showdown between Musk and Twitter and his eventual takeover of the company is unlike anything in business or media that has come before. In vivid, cinematic detail, Conger and Mac follow the inner workings of the company as Musk lays siege to it, first from the outside as one of its most vocal users, and then finally from within as a contentious and mercurial leader. Musk has shared some of his version of events, but Conger and Mac have uncovered the full story through exclusive interviews, unreported documents, and internal recordings at Twitter following the billionaire’s takeover. With unparalleled sources from within and around the company, they provide a revelatory, three-dimensional, and definitive account of what really happened when Musk showed up, spoiling for a brawl and intent on revolution, with his merciless, sycophantic cadre of lawyers, investors, and bankers.This is the defining story of our time told with uncommon style and peerless rigor. In a world of viral ideas and emotion, who gets to control the narrative, who gets to be heard, and what does power really cost?

For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, while Russell is still alive, Sloane's apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place.When Russell dies exactly one month later, his suicide propels her on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the staggering toll brought on by the pandemic.Crosley's search for truth is frank, darkly funny, and gilded with a resounding empathy.Upending the 'grief memoir' in this deeply moving and surprisingly suspenseful portrait of friendship, Grief Is for People is a category-defying story of the struggle to hold on to the past without being consumed by it. A modern elegy, it is a book about loss packed with verve for life, rising precisely to console and challenge our notions of mourning during these grief-stricken times.

The running joke in Europe for centuries was that anyone in a hurry to die should call the doctor. As far back as ancient Greece, physicians were notorious for administering painful and often fatal treatments—and charging for the privilege. For the most effective treatment, the ill and injured went to the women in their lives. This system lasted hundreds of years. It was gone in less than a century.Contrary to the familiar story, medication did not improve during the Scientific Revolution. Yet somehow, between 1650 and 1740, the domestic woman and the physician switched places in the cultural imagination: she became the ineffective, potentially dangerous quack, and he the knowledgeable, trustworthy expert. The professionals normalized the idea of paying them for what people already got at home without charge, laying the foundation for Big Pharma and today’s global for-profit medication system. A revelatory history of medicine, The Apothecary’s Wife challenges the myths of the triumph of science and instead uncovers the fascinating truth. Drawing on a vast body of archival material, Karen Bloom Gevirtz depicts the extraordinary cast of characters who brought about this transformation. She also explores domestic medicine’s values in responses to modern health crises, such as the eradication of smallpox, and what benefits we can learn from these events.A groundbreaking genealogy of for-profit healthcare and an urgent reminder that centering women's history offers vital opportunities for shaping the future.

At eight years old, Ricky Ian Gordon pulled The Victor Book of Opera off his piano teacher’s bookshelf, and his world shifted on its axis. Though scandal, sadness, and confusion would shake that world over the next few decades, its polestar remained constant. Music has been the guiding force of Gordon’s life; through it, he has been able not only to survive great sorrow but also to capture the depths of his emotion in song. It is this strength, this technical and visceral genius, that has made him one of our generation’s greatest composers.In Seeing Through, Gordon writes with humor, insight, and incredible candor about his life and a tumultuous youth on Long Island, his artistic collaborations and obsessions, the creation of his compositions (including The Grapes of Wrath, 27, Orpheus and Eurydice, Intimate Apparel, Ellen West, and more), his addictions and the abuses he endured, and the loss of his partner to AIDS and the devastation of the HIV/AIDS epidemic. As Gordon writes of that, “We were, thousands of us, Lazarus. We had to rise from the ashes. We didn’t have to rebuild our lives, we had to build new ones.”Gordon has succeeded in building a remarkable life, as well as a body of work that bears witness to all he survived in the process—one that will endure as a pivotal chapter in America's songbook.The true confessions of a working opera: an exhilarating story of "a life that comes out of chaos."

Every living being throughout history, across time and geography, has gazed up at the same moon.From the first prehistoric life that crawled onto land guided by the power of the tides, to the division of time into months and seasons for the first humans, the moon has driven the expansion and development of our world.It has inspired scientific discovery and culture from the ancient astronomers to the scientific revolution of Copernicus and Galileo, from the 1969 Apollo landings to writers and artists, and stirred an inexhaustible desire to know where we come from and how we got here.And as astronauts around the world prepare to return to the Moon - opening up new frontiers of discovery, profit and politics - Our Moon tells the dazzling story of how the Moon has shaped life as we know it, fuelled dramatic change across the globe and could be the key to humanity's future.A cultural and scientific history of the Moon from prehistoric archaeology to the most recent technological and scientific research today.

Deborah Jackson Taffa was raised to believe that some sacrifices were necessary to achieve a better life. Her grandparents—citizens of the Quechan Nation and Laguna Pueblo tribe—were sent to Indian boarding schools run by white missionaries, while her parents were encouraged to take part in governmental job training off the reservation. Assimilation meant relocation, but as Taffa matured into adulthood, she began to question the promise handed down by her elders and by American society: that if she gave up her culture, her land, and her traditions, she would not only be accepted, but would be able to achieve the "American Dream."Whiskey Tender traces how a mixed-tribe Native girl—born on the California Yuma reservation and raised in Navajo territory in New Mexico—comes to her own interpretation of identity, despite her parents' desires for her to transcend the class and "Indian" status of her birth through education, and despite the Quechan tribe’s particular traditions and beliefs regarding oral and recorded histories. Taffa’s childhood memories unspool into meditations on tribal identity, the rampant criminalization of Native men, governmental assimilation policies, the Red Power movement, and the negotiation between belonging and resisting systemic oppression. Pan-Indian, as well as specific tribal histories and myths, blend with stories of a 1970s and 1980s childhood spent on and off the reservation.Taffa offers a sharp and thought-provoking historical analysis laced with humor and heart. As she reflects on her past and present—the promise of assimilation and the many betrayals her family has suffered, both personal and historical; trauma passed down through generations—she reminds us of how the cultural narratives of her ancestors have been excluded from the central mythologies and structures of the "melting pot" of America, revealing all that is sacrificed for the promise of acceptance.Reminiscent of the works of Mary Karr and Terese Marie Mailhot, Whiskey Tender is a memoir of family and survival, coming of age on and off the reservation, and of the frictions between mainstream American culture and Native inheritance, assimilation, and reverence for tradition.Endorsements“We have more Native stories now, but we have not heard one like this. Whiskey Tender is unexpected and propulsive, indeed tender, but also bold, and beautifully told, like a drink you didn’t know you were thirsty for. This book, never anything less than mesmerizing, is full of family stories and vital Native history. It pulses and it aches, and it lifts, consistently. It threads together so much truth by the time we are done, what has been woven together equals a kind of completeness from brokenness, and a hope from knowing love and loss and love again by naming it so.” — Tommy Orange, national bestselling author of There ThereOprah Daily — "Best New Book" and "Riveting Nonfiction and Memoir You Need to Read"The New York Times — "New Book to Read"The New Yorker — "Best Book"Esquire — "Best Book"Zibby Mag — "Most Anticipated Book"Elle — "Best Book"The Washington Post — "Book to Read"Publishers Weekly — "Top 10 Memoir and Biography"San Francisco Chronicle — "New Book to Cozy Up With"The Millions — "Most Anticipated"Electric Lit — "Books by Women of Color to Read"Amazon Editors — "Best Book of the Month"

Ingrassia lost his mother, two sisters, brother, and nephew to cancer—different cancers developing at different points throughout their lives. And while highly unusual, his family is not the only one to wonder whether their heartbreak is the result of unbelievable bad luck, or if there might be another explanation. Through meticulous research and riveting storytelling, Ingrassia takes us from the 1960s—when Dr. Frederick Pei Li and Dr. Joseph Fraumeni Jr. first met, not yet knowing that they would help make a groundbreaking discovery that would affect cancer patients for decades to come—to present day, as Ingrassia and countless others continue to unpack and build upon Li and Fraumeni’s initial discoveries, and to understand what this means for their families. In the face of seemingly unbearable loss, Ingrassia holds onto hope. He urges us to “fight like Charlie,” his nephew who battled cancer his entire life starting with a rare tumor in his cheek at the age of two—and to look toward the future, as gene sequencing, screening protocols, CRISPR gene editing, and other developing technologies may continue to extend lifespans and perhaps, one day, even offer cures.Weaving his own moving family story with a sweeping history of cancer research, Lawrence Ingrassia delivers an intimate, gripping tale that sits at the intersection of memoir and medical thriller.

Black resistance to white supremacy is often reduced to a simple binary, between Dr. Martin Luther King Jr.’s nonviolence and Malcolm X’s “by any means necessary.” In We Refuse, historian Kellie Carter Jackson urges us to move past this false choice, offering an unflinching examination of the breadth of Black responses to white oppression, particularly those pioneered by Black women.The dismissal of “Black violence” as an illegitimate form of resistance is itself a manifestation of white supremacy, a distraction from the insidious, unrelenting violence of structural racism. Force — from work stoppages and property destruction to armed revolt — has played a pivotal part in securing freedom and justice for Black people since the days of the American and Haitian Revolutions. But violence is only one tool among many. Carter Jackson examines other, no less vital tactics that have shaped the Black struggle, from the restorative power of finding joy in the face of suffering to the quiet strength of simply walking away.Clear-eyed, impassioned, and ultimately hopeful, We Refuse offers a fundamental corrective to the historical record, a love letter to Black resilience, and a path toward liberation.A radical reframing of the past and present of Black resistance — both nonviolent and violent — to white supremacy.

In the pantheon of American modernists, few figures loom larger than Martha Graham. One of the greatest choreographers ever to live, Graham pioneered a revolutionary dance technique—primal, dynamic, and rooted in the emotional life of the body—that upended traditional vocabulary and shaped generations of dancers and choreographers across the globe. Over her sweeping career she founded what is now the oldest dance company in the country and produced nearly two hundred ballets, many of them masterpieces. Along the way she engaged with the major debates, events, and ideas of the twentieth century, creating works that cut to the core of the human experience. Time magazine’s “Dancer of the Century” and the first dancer and choreographer to be awarded the Presidential Medal of Freedom, Graham was a visionary artistic force and an international cultural icon; she was the iconic face of what came to be known as modern dance.From the renowned dance writer and former longtime critic for The Village Voice, Deborah Jowitt, Errand into the Maze draws on more than a decade of firsthand research to deliver the definitive portrait of this titan. Beginning with Graham’s childhood in Allegheny, Pennsylvania, and her early studies at the Denishawn School, weaving in her offstage adventures — including her relationship with her dancer and muse Erick Hawkins — and chronicling her retirement from dancing at age seventy-five and her remarkably productive final years, this elegant, empathetic biography portrays the artist in all her passionate complexity. Most important, Jowitt places Graham’s creations at the heart of her story. Her works, brimming with raw intensity, are intimately linked with their creator, who played the heroine in almost all of them: Joan of Arc, Jocasta, Clytemnestra, and Judith, among others. In this volume, Graham is centerstage once more, and Jowitt casts a brilliant spotlight on her life and work.From the legendary dance critic Deborah Jowitt, Errand into the Maze is the definitive biography of the visionary dancer and choreographer Martha Graham.Endorsements“Deborah Jowitt chronicles a life passionately, artfully lived. An essential read about a true legend.” — Mikhail Baryshnikov

“What the skeleton is to anatomy, the peasant is to history, its essential hidden support.”For over the past century and a half, and still more rapidly in the last seventy years, the world has become increasingly urban, and the peasant way of life—the dominant way of life for humanity since agriculture began well over 6,000 years ago—is disappearing.In this new history of peasantry, social historian Patrick Joyce aims to tell the story of this lost world and its people, and how we can commemorate their way of life.In one sense, this is a global history, ambitious in scope, taking us from the urbanization of the early 19th century to the present day. But more specifically, Joyce’s focus is the demise of the European peasantry and of their rites, traditions, and beliefs.Alongside this he brings in stories of individuals as well as places, including his own family, and looks at how peasants and their ways of life have been memorialized in photographs, literature, and in museums.Joyce explores a people whose voice is vastly underrepresented in human history and is usually mediated through others. And now peasants are vanishing in one of the greatest historical transformations of our time.It is also deeply resonant, as Joyce shines a light on people whose knowledge of the land is being irretrievably lost during our critical time of climate crisis and the rise of industrial agriculture.A landmark new history of the peasant experience, exploring a now neglected way of life that once encompassed most of humanity but is vanishing in our time. Written with the skill and authority of a great historian, Remembering Peasants is a landmark work, a richly complex and passionate history written with exquisite care. Enlightening, timely, and vitally important, this book commemorates an extraordinary culture whose impact on history—and the future—remains profoundly relevant.

'A garden contains secrets, we all know buried elements that might put on strange growth or germinate in unexpected places. The garden that I chose had walls, but like every garden it was interconnected, wide open to the world . . .'In 2020, Olivia Laing began to restore a walled garden in Suffolk, an overgrown Eden of unusual plants. The work drew her into an exhilarating investigation of paradise and its long association with gardens. Moving between real and imagined gardens, from Milton’s Paradise Lost to John Clare’s enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth.But the story of the garden doesn’t always enact larger patterns of privilege and exclusion. It’s also a place of rebel outposts and communal dreams. From the improbable queer utopia conjured by Derek Jarman on the beach at Dungeness to the fertile vision of a common Eden propagated by William Morris, new modes of living can and have been attempted amidst the flower beds, experiments that could prove vital in the coming era of climate change.The result is a beautiful and exacting account of the abundant pleasures and possibilities of the garden, not as a place to hide from the world but as a site of encounter and discovery, bee-loud and pollen-laden.Endorsements'What a wonderful book this is. I loved the enchanting and beautifully written story but also the fascinating and thoughtful excursions along the way.' — Nigel Slater

“The revolution I wanted to be part of was in the church.”Americans have been leaving their churches. Some drift away. Some stay home. Many search for more authentic ways to find and follow Jesus.Circle of Hope tells of one such “radical outpost of Jesus followers” in Philadelphia, dedicated to service, the Sermon on the Mount, and working toward justice for all in this life, not just salvation for some in the next. Part of a little-known yet influential movement at the edge of American evangelicalism, Circle grows for forty years, plants four congregations, and then finds itself in crisis.Immersive, explosive, and tender-hearted, Eliza Griswold offers an American allegory full of urgent questions: How do we commit to one another and our better selves in a fracturing world? Where does power live? Can it be shared? How do we make “the least of these” welcome?Building on years of deep reporting, Griswold chronicles Circle’s journey as its devoted pastors and members strive toward change that might help the church survive. Through generational rifts, an increasingly politicized religious landscape, a pandemic that prevents gathering in worship, and a rise in foundation-shaking activism, Circle of Hope tells a propulsive, layered story of what we do to stay true to our beliefs. It is a soaring, searing examination of what it means for a community to love, to grow, and to disagree.EndorsementsA Pulitzer Prize winner’s intimate portrait of a church, its radical mission, and its riveting crisis.

The definitive takedown of fatphobia, drawing on personal experience as well as rigorous research to expose how size discrimination harms everyone, and how to combat it.For as long as she can remember, Kate Manne has wanted to be smaller. She can tell you what she weighed on any significant day: her wedding day, the day she became a professor, the day her daughter was born. She’s been bullied and belittled for her size, leading to extreme dieting. As a feminist philosopher, she wanted to believe that she was exempt from the cultural gaslighting that compels so many of us to ignore our hunger. But she was not.Blending intimate stories with the trenchant analysis that has become her signature, Manne shows why fatphobia has become a vital social justice issue. Over the last several decades, implicit bias has waned in every category, from race to sexual orientation, except body size. Manne examines how anti-fatness operates—how it leads us to make devastating assumptions about a person’s attractiveness, fortitude, and intellect, and how it intersects with other systems of oppression. Fatphobia is responsible for wage gaps, medical neglect, and poor educational outcomes; it is a straitjacket, restricting our freedom, our movement, our potential.In this urgent call to action, Manne proposes a new politics of “body reflexivity”—a radical reevaluation of who our bodies exist in the world for—ourselves and no one else. When it comes to fatphobia, the solution is not to love our bodies more. Instead, we must dismantle the forces that control and constrain us, and remake the world to accommodate people of every size.Endorsements“An elegant, fierce, and profound argument for fighting fat oppression in ourselves, our communities, and our culture.” — Roxane Gay, author of Hunger

The First World War comes to harrowing life through the intertwined lives of the soldier-poets in Michael Korda’s epic Muse of Fire. With Muse of Fire, Michael Korda takes a novel approach to World War I by telling its history through the lives of the soldier-poets whose verses memorialize the war’s unimaginable horrors. He begins with Rupert Brooke and the halcyon days before violence engulfed his generation—destroying the self-contented world of Edwardian England—and ends with the tragic death of Wilfred Owen, killed only days before the armistice brought an end to a war that took over 25,000,000 lives. In a sweeping narrative that echoes The Guns of August, Korda recounts these four years of a civilization destroying itself and portrays the lives and anguished deaths of the young men who unforgettably illuminated it.

This is a history of the ways in which foreign and prehistoric peoples were represented in museums of anthropology, with their displays of arts and artifacts, their dioramas, their special exhibitions, and their arrays of skulls and skeletons.Originally created as colonial enterprises, what is the purpose of these places today? What should they do with the items in their custodianship? And how can they help us to understand and appreciate other cultures?Informed by a lifetime of research and scholarship, this subtle and original work tackles painful questions about race, colonialism, difference, and cultural appropriation. The result is a must-read for anyone concerned with the coexistence of different modes of life.EndorsementsA TLS Best Book of 2023'A formidable work' — Nigel Barley, author of The Innocent Anthropologist'Should be required reading' — Richard Lambert, Financial Times'A magnificent, moving survey' — Felipe Fernández-Armesto, TLS

Growing up in Montana, Chris La Tray always identified as Indian. While the representation of Indigenous people was mostly limited to racist depictions in toys and television shows, and despite the fact that his father fiercely denied any connection, he found Indians alluring, often recalling his grandmother’s consistent mention of their Chippewa heritage.When La Tray attended his grandfather’s funeral as a young man, he finally found himself surrounded by relatives who obviously were Indigenous. “Who were they?” he wondered, and “Why was I never allowed to know them?” Embarking on a deeply personal and revealing journey into his family’s past, he discovers a larger story of the complicated history of Indigenous communities—and the devastating effects of colonialism that continue to ripple through surviving generations. Combining diligent research and compelling conversations with Indigenous authors, activists, elders, and historians, La Tray follows a trail deep into the heart of his community—and himself. And as he comes to embrace his full identity, he eventually seeks enrollment with the Little Shell Tribe of Chippewa Indians, joining their 158-year-long struggle for federal recognition.Both personal and historical, Becoming Little Shell is a testament to the power of storytelling, to family and legacy, and to finding home. Infused with candor, heart, wisdom, and an abiding love for a place and a people, Chris La Tray’s remarkable journey—and the journey of his tribe—is both revelatory and redemptive.Endorsements“Nothing less than the history of a people in the form of an absorbing and emotionally searing memoir.” — David Treuer, author of The Heartbeat of Wounded Knee

Poet and journalist Shayla Lawson follows their National Book Critics Circle finalist This Is Major with these daring and exquisitely crafted essays, where Lawson journeys across the globe, finds beauty in tumultuous times, and powerfully disrupts the constraints of race, gender, and disability.With their signature prose, at turns bold, muscular, and luminous, Shayla Lawson travels the world to explore deeper meanings held within love, time, and the self.Through encounters with a gorgeous gondolier in Venice, an ex-husband in the Netherlands, and a lost love on New Year’s Eve in Mexico City, Lawson’s travels bring unexpected wisdom about life in and out of love. They learn the strength of friendships and the dangers of beauty during a narrow escape in Egypt. They examine Blackness in post-dictatorship Zimbabwe, then take us on a secretive tour of Black freedom movements in Portugal.Through a deeply insightful journey, Lawson leads readers from a castle in France to a hula hoop competition in Jamaica to a traditional theater in Tokyo to a Prince concert in Minnesota and, finally, to finding liberation on a beach in Bermuda, exploring each location—and their deepest emotions—to the fullest. In the end, they discover how the trials of marriage, grief, and missed connections can lead to self-transformation and unimagined new freedoms.Endorsements“Phenomenal... A memoir that opens into the world with brilliance, courage, and elegant prose... This is a book to read, read again, and remember.” — Imani Perry, New York Times bestselling author of the National Book Award winner South to America

“When he dies, I fall out of time.” Amy Lin never expected to find a love like the one she shares with her husband, Kurtis, a gifted young architect who pulls her toward joy, adventure, and greater self-acceptance.But on a sweltering August morning, only a few months shy of the newlyweds’ move to Vancouver, thirty-two-year-old Kurtis heads out to run a half-marathon with Amy’s family. It is the last time she sees her husband alive.Ten days after this seismic loss, Amy is in the hospital, navigating her own shocking medical crisis and making life-or-death decisions about her treatment.What follows is a rich and unflinchingly honest accounting of her life with Kurtis, the vortex created by his death, and the ongoing struggle Amy faces as she attempts to understand her own experience in the context of commonly held “truths” about what the grieving process looks like.Here After is an intimate story of deep love followed by dizzying loss; a stunning, taut memoir from debut author Amy Lin so finely etched and powerful that it will alter readers' hearts. Its power will last with you long after the final page.

In late 2021, Diane Foley sat at a table across from Alexanda Kotey. A member of the ISIS group known as "The Beatles," Kotey had pleaded guilty to the kidnapping, torture, and murder of her son, James Foley, seven years before. She asked the legendary writer Colum McCann to be there.American Mother moves back and forth in time as Foley recalls her son's determination to shed light on the plight of those caught up in the agonies of war; his harrowing months of captivity; and the days following his death. Channeling Foley's singular voice, McCann brings to life her shock, sadness, resolve, and astonishing hope in the face of an unthinkably altered life.American Mother is a work of profound moral clarity and courage, a book that takes readers inside one woman's extraordinary journey to find connection in a world torn asunder, and to fight for others as a way to keep James Foley's memory alive.

A powerful work of reportage and American history that braids the story of the forced removal of Native Americans onto treaty lands in the nation’s earliest days, and a small-town murder in the 1990s that led to a Supreme Court ruling reaffirming Native rights to that land more than a century later.Before 2020, American Indian reservations made up roughly 55 million acres of land in the United States. Nearly 200 million acres are reserved for National Forests—in the emergence of this great nation, our government set aside more land for trees than for Indigenous peoples.In the 1830s, Muscogee people were rounded up by the US military at gunpoint and forced into exile halfway across the continent. At the time, they were promised this new land would be theirs for as long as the grass grew and the waters ran. But that promise was not kept. When Oklahoma was created on top of Muscogee land, the new state claimed their reservation no longer existed. Over a century later, a Muscogee citizen was sentenced to death for murdering another Muscogee citizen on tribal land. His defense attorneys argued the murder occurred on the reservation of his tribe, and therefore Oklahoma didn’t have the jurisdiction to execute him. Oklahoma asserted that the reservation no longer existed. In the summer of 2020, the Supreme Court settled the dispute. Its ruling would ultimately underpin multiple reservations covering almost half the land in Oklahoma, including Nagle’s own Cherokee Nation.Here, Rebecca Nagle recounts the generations-long fight for tribal land and sovereignty in eastern Oklahoma. By chronicling both the contemporary legal battle and historic acts of Indigenous resistance, By the Fire We Carry stands as a landmark work of American history. The story it tells exposes both the wrongs that our nation has committed and the Native-led battle for justice that has shaped our country.

My Good Bright Wolf is a memoir about thinking and reading, eating and denying your body food, about privilege and scarcity, about the relationships that form us and the long tentacles of childhood.In the household of Sarah Moss's childhood she learned that the female body and mind were battlegrounds. 1970s austerity and second-wave feminism meant she must keep herself slim but never be vain; she must be intelligent but never angry; she must be able to cook and sew and make do and mend, while also being told those skills were frivolous. Clever girls should be ambitious but women must restrain themselves. Women had to stay small.Years later, her self-control had become dangerous, and Sarah found herself in A&E. The return of her teenage anorexia had become a medical emergency, forcing her to reckon with all that she had denied her hard-working body and furiously turning mind.My Good Bright Wolf navigates contested memories of girlhood, the chorus of relentless and controlling voices that dogged Sarah’s every thought, and the writing and books in which she could run free. Beautiful, audacious, moving and very funny, this memoir is a remarkable exercise in the way a brain turns on itself, and then finds a way out.EndorsementsSarah Moss — Sunday Times bestselling author.

From a fearless, internationally acclaimed activist, We Will Be Jaguars is an impassioned memoir about an indigenous childhood, a clash of cultures, and the fight to save the Amazon rainforest and protect her people.Born into the Waorani tribe of Ecuador’s Amazon rainforest—one of the last to be contacted by missionaries in the 1950s—Nemonte Nenquimo had a singular upbringing. She was taught about plant medicines, foraging, oral storytelling, and shamanism by her elders. She played barefoot in the forest and didn’t walk on pavement, or see a car, until she was a teenager and left to study with an evangelical missionary group in the city. But after Nemonte’s ancestors began appearing in her dreams, pleading with her to return and embrace her own culture, she listened.Nemonte returned to the forest and traditional ways of life and became one of the most forceful voices in climate change activism. She spearheaded an alliance of Indigenous nations across the Upper Amazon and led her people to a landmark victory against Big Oil, protecting over a half million acres of primary rainforest.We Will Be Jaguars is an astonishing memoir by an equally astonishing woman. Nemonte digs into generations of oral history, uprooting centuries of conquest, and hacking away at racist notions of Indigenous peoples. Ultimately, she reveals a life story as rich, harsh, and vital as the Amazon rainforest herself.

Like Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent. The range of subjects is wide — from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker — but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression and perversity; the roles of the critic and language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making.Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development and a testament to the profound sustenance offered by art and artists.

On a picturesque campus in the springtime, a young woman is shoved backwards down a concrete stairway by her partner. This follows months of slowly escalating violence. She ultimately ends the relationship, flees across the country, and initiates a Title IX case against him. She knows what she has experienced and survived: gaslighting, assault, manipulation, mortal threats. But others say, simply, that she hasn’t—and that her boyfriend is the real victim. Trained to interpret the past, she finds herself swept up in a struggle to define the truth about her life.In this poignant self-investigation, historian and journalist Joy Neumeyer explores how violence against women is portrayed, perceived, and adjudicated today, decades after the inception of Title IX and in the immediate wake of MeToo. Interweaving the harrowing account of the abuse she experienced as a graduate student at Berkeley with those of others who faced violence, on campus and beyond, Neumeyer offers a startling look at how the hotly-debated Title IX system has altered university politics and culture, and uncovers the willful misremembrance that enables misconduct on scales large and small.Deeply researched, daringly inquisitive, and resonant for our times, A Survivor's Education reveals the entanglement of storytelling, abuse, and power, and how we can balance narrative and evidence in our attempts to determine what “really” happened.A moving, timely, and riveting memoir of intimate abuse, campus politics, and the narratives we choose to believe.

From award-winning journalist Parmy Olson, Supremacy is the astonishing, untold, behind-the-scenes story of the battle between two AI companies, their struggles to use their tech for good, and the dangerous direction that they’re now going in."They declined his offer too, not realizing how much the thin-skinned Musk didn’t like it when people said no. Soon enough though, Hassabis got another email. This time, it was from Google."When ChatGPT was released, the world changed overnight. Even as we all played with the new toy, a very real danger was quickly becoming apparent: untested automations could undermine our way of life insidiously, sucking value out of our economy, replacing high-level creative jobs, and enabling a new, terrifying era of disinformation.It was never meant to be this way. The founders of the two companies behind the most advanced AIs in existence — OpenAI (ChatGPT) and DeepMind (Bard) — started their journeys determined to solve humanity’s greatest problems. But they couldn’t develop their technologies without huge amounts of money — money that Microsoft and Google were more than happy to give them, in exchange for the most powerful seats at the table.Featuring a cast of larger-than-life characters, including Elon Musk, Larry Page, Sergey Brin and Peter Thiel, Supremacy is a story of manipulation, exploitation, secrecy and of ruthless, relentless human progress — progress that will impact all of us for years to come.

When Claire Oppert plays the cello, miracles happen. Children with profound autism, patients in extreme pain and distress, even people on the threshold of death smile, cry, laugh, sing and dance. “When you play, I’m not sick anymore,” one man tells her. “I feel happy, I feel alive.”In The Schubert Treatment, Oppert recounts her remarkable story of healing suffering through music, alongside portraits of the many people she has helped. Born into a family of doctors and artists, Oppert trained as a classical cellist and began playing at a center for autistic youth, where she witnessed how music could connect with even the most difficult-to-reach patients. Later, she began working as an art therapist with people with neurodegenerative diseases and palliative care patients, eventually conducting clinical trials that proved the effect of her “Schubert treatment”: using music as a counter-stimulation to reduce pain and anxiety during stressful procedures.Oppert’s crystalline, lyrical vignettes of the patients whose lives she has touched are punctuated with anecdotes from her own life as a musician, as well as reflections on the meaning of art and the human need for connection and creativity. Compassionate, uplifting, and deeply humane, The Schubert Treatment is a testament to the incredible power of music to heal our bodies, minds, and souls.For readers of Oliver Sacks and Being Mortal by Atul Gawande. A celebrated art therapist plays the cello for patients with autism, neurodegenerative disease and terminal illness—and offers a moving reflection on the extraordinary power of music to enrich our lives, all the way to the very end.

For generations, the Book of Genesis, included in its entirety here, has been treated by scholars as a collection of documents by various hands, expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherence, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true.Marilynne Robinson's approach is different. Hers is one of an appreciation of Genesis for its greatness as literature, for its rich articulation and exploration of themes that resonate through the whole of Scripture. She illuminates the importance of the stories of, among others, Adam and Eve; Noah and his ark; the rivalry of Cain and Abel; and the father and son drama of Abraham and Isaac, to consider the profound meanings and promise of God's enduring covenant with humankind. Her magisterial book radiates gratitude for the constancy and benevolence of God's abiding faith in Creation.A brilliant and dramatic close reading of the first book of the Bible focusing on the complex relationship with humankindEndorsements'A work of exceptional wisdom and imagination' — Dr Rowan Williams, Daily Telegraph'Rich and provoking... Robinson has masterfully traced a sense of wonder back to its ancient, remarkable source' — Julian Coman, The Observer'Reading Genesis is alive with questions of kindness, community, and how to express what we so often struggle to put into words' — The New York Times Magazine

From internationally renowned writer and Booker Prize winner Salman Rushdie, a searing, deeply personal account of enduring — and surviving — an attempt on his life thirty years after the fatwa that was ordered against him.Speaking out for the first time, and in unforgettable detail, about the traumatic events of August 12, 2022, Salman Rushdie answers violence with art, and reminds us of the power of words to make sense of the unthinkable. Knife is a gripping, intimate, and ultimately life-affirming meditation on life, loss, love, art — and finding the strength to stand up again.

The letters of one of the greatest observers of the human species, revealing his passion for life and work, friendship and art, medicine and society, and the richness of his relationships with friends, family, and fellow intellectuals over the decades.Dr. Oliver Sacks—who describes himself variously in these pages as “a philosophical physician,” “an astronomer of the inward,” and a “neuropathological Talmudist”—wrote lengthy letters throughout his life to his parents, his beloved Aunt Lennie, to friends and colleagues from London, Oxford, California, and around the world. These pages begin with his arrival in America as a young man, eager to establish himself away from the confines of postwar England, and carry us through his bumpy early career in medicine and the discovery of his writer’s voice and métier; his weightlifting, motorcycle-riding years and his explosive seasons of discovery with the patients who populate his book Awakenings; his growing interest in matters of sight and the musical brain; his many friendships and exchanges with fellow writers, artists and scientists (to say nothing of astronauts, botanists, and mathematicians), and his deep gratitude for all these relationships at the end of his life. Some letters contain the first detailed sketches of an essay forming in his mind, others reveal his agony over a tempestuous love affair or his reminiscences of childhood. From Francis Crick and Jane Goodall to W. H. Auden and Susan Sontag, from lovers to patients, and ordinary folk who wrote to him with their odd symptoms and questions, all are treated equally to Sacks’ lyrical, ferocious, penetrating and at times hilarious observations. Sensitively introduced and edited by Kate Edgar, Sacks’ longtime editor (and one of his correspondents), the letters deliver a complete portrait of Sacks as he wrestles with the workings of the brain and mind. We see, through his eyes, the beginnings of modern neuroscience as it unlocks many secrets of how the human brain defines us. We experience the arc of a remarkable personal evolution, closely following the thought processes of one of the great intellectuals of our time whose words, as evidenced in these pages, were unfailingly shaped with generosity and wonder toward other people.

From the summer of 1870 to the spring of 1871, Paris and its people were forced into surrender by Germans and imperiled as rebel republicans established a breakaway Commune, ultimately crushed by the French army after the burning of central Paris. As Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born—a reaction to violence, civil war, and political intrigue. Smee tells the story of Paris’s “Terrible Year” through the eyes of the Impressionists, with a focus on the relationship between Edouard Manet, the father of the movement, and Berthe Morisot, the group’s preeminent woman. With narrative sweep and vivid detail, Paris in Ruins captures the shifting passions and politics of the art world, revealing how the pressures of the Siege and the chaos of the Commune had a monumental effect on the development of modern art.A gripping account of the “Terrible Year” in Paris and its enormous impact on the rise of Impressionism.Endorsements— Sebastian Smee, Pulitzer Prize–winning art critic.