A Taste of Italy

In the spring of 1860, Fabrizio, the charismatic Prince of Salina, still rules over thousands of acres and hundreds of people, including his own numerous family, in mingled splendour and squalor. Then comes Garibaldi's landing in Sicily and the Prince must decide whether to resist the forces of change or come to terms with them.The Leopard is a modern classic which tells the spellbinding story of a decadent, dying Sicilian aristocracy threatened by the approaching forces of democracy and revolution.Endorsements'There is a great feeling of opulence, decay, love and death about it.' — Rick Stein'Every once in a while, like certain golden moments of happiness, infinitely memorable, one stumbles on a book or a writer, and the impact is like an indelible mark. Lampedusa's The Leopard, his only novel, and a masterpiece, is such a work.' — Independent'Perhaps the greatest novel of the century.' — L. P. Hartley'The poetry of Lampedusa's novel flows into the Sicilian countryside... a work of great artistry.' — Peter Ackroyd

We just need to know what the heart’s capable of, Evelyn.And do you know what it’s capable of?I do. Grace and fury.It’s 1944 and in the ruined wine cellar of a Tuscan villa, as the Allied troops advance and bombs fall around them, two strangers meet and share an extraordinary evening together.Ulysses Temper is a young British soldier and one-time globe-maker. Evelyn Skinner is a sexagenarian art historian and possible spy. She has come to Italy to salvage paintings from the ruins and relive her memories of the time she encountered E.M. Forster and had her heart stolen by an Italian maid in a particular Florentine room with a view.These two unlikely people find kindred spirits in each other and Evelyn’s talk of truth and beauty plants a seed in Ulysses's mind that will shape the trajectory of his life — and of those who love him — for the next four decades.Moving from the Tuscan Hills to the smog of the East End and the piazzas of Florence, Still Life is a sweeping, mischievous, richly-peopled novel about beauty, love, family and fate.

Before the Corleones, before the Lannisters, there were the Borgias. The ferocious rise of the Borgia family in Rome has taken the country by surprise, as Pope Alexander VI — Rodrigo Borgia — openly wields his illegitimate children as dynastic weapons: his son Cesare, the arrogant, sadistic leader of a victorious mercenary army, and his scandal-soaked daughter Lucrezia, a pawn in the marriage game. In Florence, a city once celebrated for its artistic wealth and learning, the people lament what has been lost after the mad monk Savonarola's pious reign. Politics is a blood sport; violence an acceptable form of diplomacy. But Niccolò Machiavelli, a clever and calculating undersecretary, thrives in such conditions, eager to quietly manipulate the affairs of state to his own ends. Machiavelli is impressed with the influence and boldness of the Borgias — and one man in particular catches his eye. With his moods growing more unstable and his impatience often turning into fury, Cesare will defy his own father and hatch a secret plot to consolidate his power and feed his ambition. Lucrezia, whose previous husband was murdered by her possessive brother, is set to marry once more to further the Borgias' advantage. But her future sister-in-law will become a formidable adversary. While alliances are forged, tensions between regions intensify, and deceptions are set like traps for the unwary, Sarah Dunant's thrilling novel reveals the passions and betrayals, unrest and intrigue, conspiracy and murder that lead to the epic fall of the House of Borgia.

If on a Winter's Night a Traveler is a marvel of ingenuity, an experimental text that looks longingly back to the great age of narration—"when time no longer seemed stopped and did not yet seem to have exploded." Italo Calvino's novel is in one sense a comedy in which the two protagonists, the Reader and the Other Reader, ultimately end up married, having almost finished If on a Winter's Night a Traveler. In another, it is a tragedy, a reflection on the difficulties of writing and the solitary nature of reading. The Reader buys a fashionable new book, which opens with an exhortation: "Relax. Concentrate. Dispel every other thought. Let the world around you fade." Alas, after 30 or so pages, he discovers that his copy is corrupted, and consists of nothing but the first section, over and over. Returning to the bookshop, he discovers the volume, which he thought was by Calvino, is actually by the Polish writer Bazakbal. Given the choice between the two, he goes for the Pole, as does the Other Reader, Ludmilla. But this copy turns out to be by yet another writer, as does the next, and the next.The real Calvino intersperses 10 different pastiches—stories of menace, spies, mystery, premonition—with explorations of how and why we choose to read, make meanings, and get our bearings or fail to. Meanwhile the Reader and Ludmilla try to reach, and read, each other."What makes lovemaking and reading resemble each other most is that within both of them times and spaces open, different from measurable time and space."If on a Winter's Night is dazzling, vertiginous, and deeply romantic.

The author of Midnight in the Garden of Good and Evil returns after more than a decade to give us an intimate look at the "magic, mystery, and decadence" of the city of Venice and its inhabitants.Venice, a city steeped in a thousand years of history, art and architecture, teeters in precarious balance between endurance and decay. Its architectural treasures crumble — foundations shift, marble ornaments fall — even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective — inquiring into the nature of life in this remarkable museum-city — while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates who lose possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others — stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.

The goats of Vigàta once grazed on the trash-strewn site still known as the Pasture. Now local enterprise of a different sort flourishes: drug dealers and prostitutes of every flavour. But their discreet trade is upset when two employees of the Splendour Refuse Collection Company discover the body of engineer Silvio Luparello, one of the local movers and shakers, apparently deceased in flagrante at the Pasture. The coroner's verdict is death from natural causes - refreshingly unusual for Sicily.But Inspector Salvo Montalbano, as honest as he is streetwise and as scathing to fools and villains as he is compassionate to their victims, is not ready to close the case - even though he's being pressured by Vigàta's police chief, judge, and bishop.Picking his way through a labyrinth of high-comedy corruption, delicious meals, vendetta firepower, and carefully planted false clues, Montalbano can be relied on, whatever the cost, to get to the heart of the matter.The Shape of Water is the first in Andrea Camilleri's wry, brilliantly compelling Sicilian crime series, featuring Inspector Montalbano.

'I thought I had made myself clear. I want something that conveys her majesty, her bloodline. Do you understand? She is no ordinary mortal. Treat her thus.'Florence, the 1560s. Lucrezia, third daughter of Cosimo de' Medici, is free to wander the palazzo at will, wondering at its treasures and observing its clandestine workings. But when her older sister dies on the eve of marriage to Alfonso d'Este, heir to the Duke of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: Alfonso is quick to request her hand in marriage, and her father to accept on her behalf.Having barely left girlhood, Lucrezia must now make her way in a troubled court whose customs are opaque and where her arrival is not universally welcomed. Perhaps most mystifying of all is her husband himself, Alfonso. Is he the playful sophisticate he appears before their wedding, the aesthete happiest in the company of artists and musicians, or the ruthless politician before whom even his formidable sisters seem to tremble?As Lucrezia sits in uncomfortable finery for the painting which is to preserve her image for centuries to come, one thing becomes worryingly clear. In the court's eyes, she has one duty: to provide the heir who will shore up the future of the Ferrarese dynasty. Until then, for all of her rank and nobility, her future hangs entirely in the balance.

"But you do," he went on, not waiting for contradiction. "You love the boy body and soul, plainly, directly, as he loves you, and no other word expresses it ..."Lucy has her rigid, middle-class life mapped out for her until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George.Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiancé Cecil Vyse. Will she ever learn to follow her own heart?

As their holiday unfolds, Colin and Maria are locked into their own intimacy. They groom themselves meticulously, as though there waits someone who cares deeply about how they appear. Then they meet a man with a disturbing story to tell and become drawn into a fantasy of violence and obsession.

From one of Italy's most acclaimed authors comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but vibrant neighborhood on the outskirts of Naples. Growing up on these tough streets, the two girls learn to rely on each other ahead of anyone or anything else, as their friendship, beautifully and meticulously rendered, becomes a not always perfect shelter from hardship. Ferrante has created a memorable portrait of two women, but My Brilliant Friend is also the story of a nation. Through the lives of Elena and Lila, Ferrante gives her readers the story of a neighborhood, a city, and a country undergoing momentous change.

Written when Ernest Hemingway was thirty years old and lauded as the best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield—weary, demoralized men marching in the rain during the German attack on Caporetto; the profound struggle between loyalty and desertion—this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep.Ernest Hemingway famously said that he rewrote the ending to A Farewell to Arms thirty-nine times to get the words right.

Italy, 1347. While Brother William of Baskerville is investigating accusations of heresy at a wealthy abbey, his inquiries are disrupted by a series of bizarre deaths. Turning his practiced detective skills to finding the killer, he relies on logic (Aristotle), theology (Thomas Aquinas), empirical insights (Roger Bacon), and his own wry humor and ferocious curiosity. With the aid of his young apprentice, William scours the abbey, from its stables to the labyrinthine library, piecing together evidence, and deciphering cryptic symbols and coded manuscripts to uncover the truth about this place where "the most interesting things happen at night."