National Book Awards 2025

In a tiny Beirut apartment, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and “the neighborhood homosexual,” Raja relishes books, meditative walks, order, and solitude. Zalfa, his octogenarian mother, views her son’s desire for privacy as a personal affront. She demands to know every detail of Raja’s work life and love life, boundaries be damned.When Raja receives an invite to an all-expenses-paid writing residency in America, the timing couldn’t be better. It arrives on the heels of a series of personal and national disasters that have left Raja longing for peace and quiet away from his mother and the heartache of Lebanon. But what at first seems a stroke of good fortune soon leads Raja to recount and relive the very disasters and past betrayals he wishes to forget.Told in Raja’s irresistible and wickedly funny voice, the novel dances across six decades to tell the unforgettable story of a singular life and its absurdities— a tale of mistakes, self-discovery, trauma, and maybe even forgiveness. Above all, The True True Story of Raja the Gullible (and His Mother) is a wildly unique and sparkling celebration of love.

The Intentions of Thunder gathers, for the first time, the essential work from across Patricia Smith’s decorated career. Here, Smith’s poems, affixed with her remarkable gift of insight, present a rapturous ode to life. With careful yet vaulting movement, these poems traverse the redeeming landscape of pain, confront the frightening revelations of history, and disclose the joyous possibilities of the future. The result is a profound testament to the necessity of poetry—all the careful witness, embodied experience, and bristling pleasure that it bestows—and of Smith’s necessary voice.Lyrical and sly, meditative and volcanic, The Intentions of Thunder stunningly explores the fullness of living. The inimitable poetry of Patricia Smith radiates in The Intentions of Thunder, reaffirming Smith’s place as one of the indispensable poets of our time.EndorsementsFinalist for the 2025 National Book Award for Poetry“Patricia Smith is the greatest living poet. Every book is better than the last.” — Danez Smith, The Guardian“A collection of the finest new and selected poems from one of the most groundbreaking voices in contemporary poetry, a ‘masterful performer and poet of voices too little heard.’” — Poetry Foundation

We Are Green and Trembling is a reimagining of history and the life of Antonio de Erauso, a Basque nun turned war lieutenant during the Spanish Conquista in 17th-century Argentina — a fascinating, largely forgotten figure from world history and one of South America’s most famous trans men.Having left the Basque Country behind many years ago, Antonio has travelled across the Americas, reinventing himself every time. Now, Antonio is hiding deep in the jungle with two young Guaraní girls, having escaped imprisonment and a death sentence.The novel is a searing criticism of conquest and colonialism, religious tyranny and the treatment of women and indigenous people; a queer reclamation set in the rainforest — itself a magical, surreal space for transformation.

With Iran being squeezed between the forces of Great Britain and the Soviet Union, a boy valiantly tries to protect his sister from Nazi spies, soldiers, and hunger.

In a near-future Kolkata beset by flooding and famine, Ma, her two-year-old daughter, and her elderly father are just days from leaving the collapsing city behind to join Ma’s husband in Ann Arbor, Michigan. After procuring long-awaited visas from the consulate, they pack their bags for the flight to America. But in the morning they awaken to discover that Ma’s purse, containing their treasured immigration documents, has been stolen.Set over the course of one week, A Guardian and a Thief tells two stories: the story of Ma’s frantic search for the thief while keeping hunger at bay during a worsening food shortage; and the story of Boomba, the thief, whose desperation to care for his family drives him to commit a series of escalating crimes whose consequences he cannot fathom. With stunning control and command, Megha Majumdar paints a kaleidoscopic portrait of two families, each operating from a place of ferocious love and undefeated hope, each discovering how far they will go to secure their children’s future as they stave off encroaching catastrophe.Megha Majumdar’s electrifying novel. A piercing and propulsive tour de force. A masterful new work from one of the most exciting voices of her generation.

From Pulitzer finalist, MacArthur Fellowship recipient, and bestselling author of Swamplandia! and Vampires in the Lemon Grove. A gripping Dust Bowl epic about five characters whose fates become entangled after a storm ravages their small Nebraskan townThe Antidote opens on Black Sunday, as a historic dust storm ravages the fictional town of Uz, Nebraska. But Uz is already collapsing—not just under the weight of the Great Depression and the Dust Bowl drought, but beneath its own violent histories. The Antidote follows a "Prairie Witch," whose body serves as a bank vault for peoples’ memories and secrets; a Polish wheat farmer who learns how quickly a hoarded blessing can become a curse; his orphan niece, a basketball star and witch’s apprentice in furious flight from her grief; a voluble scarecrow; and a New Deal photographer whose time-traveling camera threatens to reveal both the town’s secrets and its fate.Russell's novel is above all a reckoning with a nation’s forgetting—enacting the settler amnesia and willful omissions passed down from generation to generation, and unearthing not only horrors but shimmering possibilities. The Antidote echoes with urgent warnings for our own climate emergency, challenging readers with a vision of what might have been—and what still could be.

North Sun, or the Voyage of the Whaleship Esther is an allegory of extraction and a tale of adventure and endurance during the waning days of the American whaling industry. Setting out from New Bedford in 1878, the crew of the Esther is confident the sea will be theirs: in addition to cruising the Pacific for whale, they intend to hunt the teeming northern grounds before the ice closes. But as they sail to their final destination in the Chukchi Sea, where their captain Arnold Lovejoy has an urgent directive of his own to attend to, their encounters with the natural world become more brutal, harrowing, ghostly, and strange. With one foot firmly planted in the traditional sea-voyage narrative, and another in a blazing mythos of its own, this debut novel looks unsparingly at the cost of environmental exploitation and predation, and in doing so feverishly sings not only of the past, but to the present and future as well. Endorsements “One of our great artists of catastrophe” — Laura van den Berg

In Tokyo, the son works as an English tutor, drinking his nights away with friends at a gay bar. He's entangled in a sexual relationship with a married man, and while he has built a chosen family in Japan, he is estranged from his family in America, particularly his mother, whose preference for the son's troubled homophobic brother pushed him to leave home. Then, in the weeks leading up to Christmas, ten years since they've last seen each other, the mother arrives uninvited on his doorstep.Separated only by the son's cat, the two of them bristle against each other immediately. The mother, wrestling with memories of her youth in Jamaica and her own complicated brother, works to reconcile her good intentions with her missteps. The son struggles to forgive. But as life begins to steer them in unexpected directions — the mother to a tentative friendship with a local bistro owner, and the son to cautiously getting to know a new patron of the bar — the two of them begin to see each other more clearly. Sharing meals and conversations and an eventful trip to Nara, both mother and son try the best they can to define where 'home' really is — and whether they can find it even in each other.Endorsements'Such a joy' — Ocean Vuong'It'll break and remake your heart' — Andrew Sean Greer'You want this gorgeous book' — R. O. Kwon

In 1990, seven-year-old Julia Ioffe and her family fled the Soviet Union. Nearly twenty years later, Ioffe returned to Moscow—only to discover just how much Russian society had changed while she had been living in America. The Soviet women she had known growing up—doctors, engineers, scientists—had seemingly been replaced with women desperate to marry rich and become stay-at-home moms. How had Russia gone from portraying itself as the vanguard of world feminism to the last bastion of conservative Christian values?In Motherland, Ioffe turns modern Russian history on its head, telling it exclusively through the stories of its women. From her own physician great-grandmothers to Lenin’s lover, a feminist revolutionary; from the hundreds of thousands of Soviet girls who fought in World War II to the millions of single mothers who rebuilt and repopulated a devastated country; from the members of Pussy Riot to Yulia Navalnaya, wife of opposition leader Alexei Navalny, she chronicles one of the most audacious social experiments in history and how it failed the very women it was meant to liberate—and documents how that failure paved the way to the revanche of Vladimir Putin.Part memoir, part journalistic exploration, part history, Motherland paints a portrait of modern Russia through the women who shaped it. With deep emotion, Ioffe shows what it means to live through the cataclysms of revolution, war, idealism, and heartbreak—and reveals how the story of Russia today is inextricably tied to the history of its women.Julia Ioffe tells the story of modern Russia through the history of its women, from revolution to utopia to autocracy.

“There is no good way to say this,” Yiyun Li writes at the beginning of this book.“There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them: Vincent in 2017, at sixteen; James in 2024, at nineteen. Both chose suicide, and both died not far from home.”There is no good way to say this—because words fall short. It takes only an instant for death to become fact, “a single point in a timeline.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she calls "doing the things that work," including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.This is a book for James, but it is not a book about grieving or mourning. As Li writes, “The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.” Things in Nature Merely Grow is a testament to Li’s indomitable spirit.Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James.

By the time Maryanne was 16 years old, she had been arrested for murder. In and out of foster and adoptive homes since age 10, she'd run away, been trafficked and assaulted, and finally pointed a gun at the latest man to take her into his car. She pulled the trigger and fled. But with no family to turn to and few reliable friends, it didn't take long for the police to catch up with her.In court, the defense blamed neither traffickers, nor Maryanne, but Washington state itself—or rather, its foster care system, which parents thousands of children every year. The courts didn't listen to that argument, but award-winning journalist Claudia Rowe did. Washington state isn't alone, of course. Each year, hundreds of thousands of children grow up in America's $30 billion foster care system, only to leave and enter its prisons, where a quarter of all inmates are former foster youth.Weaving Maryanne's story with those of five other foster kids across the country—including an 18-year-old sleeping on the New York City subways; a gangbanger-turned-graduate-student; and a foster child who is now a policy advisor to the White House—Rowe paints a visceral survival narrative showing exactly where, when, and how the system channels children into locked cells. Balanced with accounts from psychologists, advocates, judges, and foster parents, Wards of the State paves a road to reform by pulling back the curtain on our country's longstanding foster care-to-prison pipeline and the searing realities faced by kids who may be sitting in classrooms next to your own children.Told through the stories of six former foster youth, a jolting exploration of a broken system from an award-winning journalist.

Eighteen of California’s largest wildfires on record have burned in the past two decades. Scientists recently invented the term “megafire” to describe wildfires that behave in ways that would have been impossible just a generation ago, burning through winter, exploding in the night, and devastating landscapes historically impervious to incendiary destruction.In When It All Burns, wildland firefighter and anthropologist Jordan Thomas recounts a single, brutal six-month fire season with the Los Padres Hotshots—the special forces of America’s firefighters. Being a hotshot is among the most difficult jobs on earth. Thomas viscerally renders his crew’s attempts to battle flames that are often too destructive to contain. He uncovers the hidden cultural history of megafires, revealing how humanity’s symbiotic relationship with wildfire became a war—and what can be done to change it back.Thomas weaves ecology and the history of Indigenous peoples' oppression, federal forestry, and the growth of the fire industrial complex into a riveting narrative about a new phase in the climate crisis.A hotshot firefighter’s gripping firsthand account of a record-setting fire season. It's an immersive story of community in the most perilous of circumstances, told with humor, humility, and affection.

The New Economy memorializes the world’s pleasures and perils told through the point of view of an aging, ungendered body. A devotional to the ungendered vessel as it ages, dreams, and survives. A practice of radical collaboration, failure, and renewal. A world of “Miss You” poems opening a portal to all those we’ve lost and would love to visit for a while. In Gabrielle Calvocoressi’s latest collection, The New Economy, poems are haunted by the ghosts of loved ones and childhood memories, by changing landscapes and bodies. Calvocoressi’s own figure is examined—investigating the desire to protect the body one is born with and the longing to have been born in another. Cisterns sing with the musicality of a poet who understands both the power of sound and silence—those quiet spaces inviting us to consider the words we cannot hear. “The days I don’t kill myself are extraordinary,” one poem says. “Why don’t we have a name for it?” Lyrical and unafraid, The New Economy invites us to name our fears and sorrows, to write to who or what has left us, to create practices that can hold both the darkness and light of this (in)finite life.

Becoming Ghost is the long-awaited sophomore poetry collection by award-winning writer Cathy Linh Che, on familial estrangement, the Vietnam War, and Francis Ford Coppola’s Apocalypse Now.The follow-up to her acclaimed poetry debut Split, Becoming Ghost documents Cathy Linh Che’s parents’ experiences as refugees who escaped the Vietnam War and then were cast as extras in Francis Ford Coppola’s film Apocalypse Now, placing them at the margins of their own story. The poetry collection uses persona, speculation, and the golden shovel form as a means of moving Vietnamese voices from the periphery to the center. The speaker’s disownment raises questions about the challenges of using parents as poetic subjects, telling familial stories to a broader public, and the meaning of forgiveness.

Dive between the borders of ruined and radical love with this lyrical poetry collection that explores topics as expansive as divorce, the first Black Bachelorette, and the art world. Stanzas shift between reverence to irreverence as they take us on a journey through institutional and historical pains alongside sensuality and queer, Black joys.Scorched Earth is a transcendent anthology for our times.EndorsementsFrom a generational voice that “earns a place among the pantheon of such emerging black poets as Eve Ewing, Nicole Sealy, and Airea D. Matthews” — Booklist

Richard Siken's third collection, I Do Know Some Things, navigates the ruptured landmarks of family trauma: a mother abandons her son, a husband chooses death over his wife. While excavating these losses, personal history unfolds. We witness Siken experience the death of a boyfriend and a stroke that is neglectfully misdiagnosed as a panic attack. Here, we grapple with a body forgetting itself — "the mind that / didn't work, the leg that wouldn't move...". Meditations on language are woven throughout the collection. Nouns won't connect and Siken must speak around a meaning: "dark-struck, slumber-felt, sleep-clogged." To say "black tree" when one means "night." Siken asks us to consider what a body can and cannot relearn. "Part insight, part anecdote," he is meticulous and fearless in his explorations of the stories that build a self. Told in 77 prose poems, I Do Know Some Things teaches us about transformation. We learn to shoulder the dark, to find beauty in "The field [that] had been swept clean of habit."The long-anticipated third collection from the revered Richard Siken delivers his most personal and introspective collection yet.

Tara’s November 18th transforms when she discovers that she is no longer alone in her endless autumnal day. For she has met someone who remembers, and who knows as well as she does that “it is autumn, but that we’re not heading into winter. That spring and summer will not follow. That the reds and yellows of the trees are here to stay. That yesterday doesn’t mean the seventeenth of November, that tomorrow means the eighteenth, and that the nineteenth is a day we may never see.” Where Book I and II focused on a single woman’s involuntary journey away from her life and her loved ones and into the chasm of time, Book III brings us back into the realm of companionship, with all its thrills, odd quirks, and a sense of mutual bewilderment at having to relearn how to exist alongside others in a shared reality. And then of course, what of Tara’s husband Thomas, still sitting alone day after day, entirely unawares, in their house in Clarion-sous-Bois, waiting for his wife to return?Blending poetry and philosophical inquiry with rich reflections on our discombobulating times, Balle’s On the Calculation of Volume asks us to consider: What is a single person’s responsibility to humanity and to the preservation of this world?Endorsements“astonishing” — The Washington Post

Flanders 1922. After serving as a soldier in the Great War, Noon Merckem has lost his memory and lives in a psychiatric asylum. Countless women, responding to a newspaper ad, visit him there in the hope of finding their spouse who vanished in battle. One day a woman, Julienne, appears and recognizes Noon as her husband, the photographer Amand Coppens, and takes him home against medical advice. But their miraculous reunion doesn’t turn out the way that Julienne wants her envious friends to believe. Only gradually do the two grow close, and Amand’s biography is pieced together on the basis of Julienne’s stories about him. But how can he be certain that she’s telling the truth? In The Remembered Soldier, Anjet Daanje immerses us in the psyche of a war-traumatized man who has lost his identity. When Amand comes to doubt Julienne’s word, the reader is caught up in a riveting spiral of confusion that only the greatest of literature can achieve.An extraordinary love story and a captivating novel about the power of memory and imagination.

In the late 1980s, French poet and psychologist Jon‑Perse finds himself in possession of one of the most promising inventions of the century: a computer. Enchanted by snippets of Persian poetry he learns from his Uzbek translation partner, Abdulhamid Ismail, Jon-Perse builds a computer program capable of both analyzing and generating literature. But beyond the text on his screen there are entire worlds—of history, philosophy, and maybe even of love—in the stories and people he and AI conjure.Hamid Ismailov brings together his work as a poet, translator, and student of literature of both East and West to craft a postmodern ode to poetry across centuries and continents. Crossing the poètes maudits with beloved Sufi classics, blending absurdist dreams with the life of the famed Persian poet Hafez, moving from careful mathematical calculations to lyrical narratives, Ismailov invents an ingenious transnational poetics of love and longing for the digital age. Situated at the crossroads of a multilingual world and mediated by the unreliable sensibilities of digital intelligence, this book is a dazzling celebration of how poetry resonates across time and space.A multilayered exploration of poetry, authorship, and digital intelligence.Endorsements“A writer of immense poetic power.” — The Guardian

Like Annie Ernaux or Sheila Heti, Neige Sinno has created a powerful new literary autobiographical form. Through its radical honesty, and also through its thoughtful interrogations into the nature of life and literature, Neige Sinno shares with her readers her journey from someone who considered her life to have been stolen from her to someone who, over the twenty years that elapsed from her reporting the rape to writing this book, somehow got her life back, all without ever being able to erase or even change what had happened to her as a child. The title is inspired by William Blake’s poem The Tyger. The book is a forensic exploration into how to speak about the unspeakable. Repeatedly exposed to sexual violence as a child, Neige Sinno tells of a family life built around lies and deception. She was seven or eight years old when her stepfather started abusing her. At fourteen or fifteen the abuse stopped. At nineteen, she decides to break her silence which leads to a public trial and prison for her stepfather, and Sinno starts a new life in Mexico, far away from France. It is through the craft of her narrative and her powerful, direct analysis of deep-seated taboo that Sinno explores the different facets of memory—her own, her mother’s, as well as her abusive stepfather’s—and of abuse itself in all its monstrosity and banality. How do we become who we are? What remains unsaid in families? How is society implicated? This harrowing auto-fictional account of the author's sexual abuse as a child is mediated through analysis of various literary texts, including works by Vladimir Nabokov, Virginia Woolf, Toni Morrison, Christine Angot, and Virginie Despentes. In this unparalleled work that contains a thousand questions and jewel-like insights, an abiding question is how to protect others from the rape and incest that she endured. In the midst of so much darkness, one answer emerges clearly: speaking up and asking questions. A striking, shocking, and necessary masterpiece. Endorsements “Sad Tiger forces you to see, to really see, what it means to be a child abused by an adult.” — Annie Ernaux “Reading Sad Tiger is like descending into an abyss with your eyes open. It forces you to see, to really see, what it means to be a child abused by an adult, for years. Everyone should read it. Especially teenagers.” — Annie Ernaux Winner of the US and UK Goncourt Prizes, 2024 Winner of the Goncourt Prizes in Belgium, Slovakia, India, Turkey, Tunisia, and South Korea, 2023 Winner of the European Strega Prize, 2024 Winner of the Goncourt des Lyceens, 2023 Winner of the Femina Prize, 2023 Winner of the Le Monde Literary Prize, 2023 Winner of the Inrockuptibles Prize, 2023 Shortlisted for the Medicis Prize, 2023 Shortlisted for the Decembre Prize, 2023

Covid lockdown is over, but A’s world feels smaller than ever. Coming out as trans didn’t exactly go well, and most days, he barely leaves his bedroom, let alone the house. But the low point of A’s life isn’t online school, missing his bar mitzvah, or the fact that his parents monitor his phone like hawks—it’s the weekly Save Our Sons and Daughters meetings his parents all but drag him to.At SOSAD, A and his friends Sal and Yarrow sit by while their parents deadname them and wring their hands over a nonexistent “transgender craze.” After all, sitting in suffocating silence has to be better than getting sent away for “advanced treatment,” never to be heard from again.When Yarrow vanishes after a particularly confrontational meeting, A discovers that SOSAD doesn’t just feel soul-sucking... it’s run by an actual demon who feeds off the pain and misery of kids like him. And it’s not just SOSAD—the entire world is beset by demons dining on what seems like an endless buffet of pain and bigotry.But how is one trans kid who hasn’t even chosen a name supposed to save his friend, let alone the world? And is a world that seems hellbent on rejecting him even worth saving at all?A groundbreaking, action-packed, and ultimately uplifting adventure that intertwines elements of Jewish mythology with an unflinching examination of the impacts of transphobia, from Newbery Honor-winner Kyle Lukoff

Gospel is the Keeper of the Leaving Room—a place all young people must phase through when they die. The young are never ready to leave; they need a moment to remember and a Keeper to help their wispy souls along.Gospel assumes that there are countless other Leaving Rooms because many children pass, but she suspects they are not like her Leaving Room, which is small (like a walk-in closet) with shelves full of tiny jars that hold the memories of those who have gone.When a random door opens and a Keeper named Melody arrives, their souls become entangled. Gospel's seriousness melts and Melody’s fear of connection fades, but still—are Keepers allowed to fall in love? Now they must find a way out of the Leaving Room and be unafraid of their love. They must claw their way back to their bodies because there is so much more life to explore—together.

From award-winning, New York Times bestselling author Ibi Zoboi comes her groundbreaking contemporary fantasy debut—a novel in verse based on Caribbean folklore—about the power of inherited magic and the price we must pay to live the life we yearn for.Fifteen-year-old Marisol is the daughter of a soucouyant. Every new moon, she sheds her skin like the many women before her, shifting into a fireball witch who must fly into the night and slowly sip from the lives of others to sustain her own. But Brooklyn is no place for fireball witches with all its bright lights, shut windows, and bolt-locked doors.… While Marisol hoped they would leave their old traditions behind when they emigrated from the islands, she knows this will never happen while she remains ensnared by the one person who keeps her chained to her magical past—her mother.Seventeen-year-old Genevieve is the daughter of a college professor and a newly minted older half sister of twins. Her worsening skin condition and the babies’ constant wailing keep her up at night, when she stares at the dark sky with a deep longing to inhale it all. She hopes to quench the hunger that gnaws at her, one that seems to reach for some memory of her estranged mother. When a new nanny arrives to help with the twins, a family secret connecting her to Marisol is revealed, and Gen begins to find answers to questions she hasn’t even thought to ask.But the girls soon discover that the very skin keeping their flames locked beneath the surface may be more explosive to the relationships around them than any ancient magic.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times.One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, Indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse.This book is a reckoning with what it means to live in the West, and what it means to live in a world run by a small group of countries — America, the UK, France and Germany. It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order’ — a generation that understands the West can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the Western project, who was catapulted into journalism by the rupture of 9/11.This book is his heartsick breakup letter with the West. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the West has served up. This is the book for our time.