Ondaatje Prize

John, an impoverished Scottish minister, has accepted a job evicting the lone remaining occupant of an island north of Scotland—Ivar, who has been living alone for decades, with only the animals and the sea for company. Though his wife, Mary, has serious misgivings about the errand, he decides to go anyway, setting in motion a chain of events that neither he nor Mary could have predicted.Shortly after John reaches the island, he falls down a cliff and is found, unconscious and badly injured, by Ivar who takes him home and tends to his wounds. The two men do not speak a common language, but as John builds a dictionary of Ivar’s world, they learn to communicate and, as Ivar sees himself for the first time in decades reflected through the eyes of another person, they build a fragile, unusual connection.Unfolding in the 1840s in the final stages of the infamous Scottish Clearances—which saw whole communities of the rural poor driven off the land in a relentless program of forced evictions—this singular, beautiful, deeply surprising novel explores the differences and connections between us, the way history shapes our deepest convictions, and how the human spirit can survive despite all odds. Moving and unpredictable, sensitive and spellbinding, Clear is a profound and pleasurable read.A stunning, exquisite novel from an award-winning writer about a minister dispatched to a remote island off of Scotland to “clear” the last remaining inhabitant, who has no intention of leaving—an unforgettable tale of resilience, change, and hope.

A kaleidoscopic study of Rainer Werner Fassbinder.Melodrama, biography, Cold War thriller, drug memoir, essay in fragments, and mystery, Thousands of Mirrors is cult critic Ian Penman’s long-awaited first full-length book. Written over a short period 'in the spirit' of RWF, who would often get films made in a matter of weeks or months, Thousands of Mirrors presents the filmmaker as Penman’s equivalent of what Baudelaire was to an urban poet in the turbulent, seeds-sown, messy era just before everything changed.Beautifully written and extraordinarily compelling, echoing the fragmentary works of Roland Barthes and Emil Cioran, Eduardo Galeano and Alexander Kluge, this story has everything: sex, drugs, art, the city, cinema, and revolution.

What does it mean to have 'heritage', and how do we perform or undo it?In these daring and sonorous poems, Anaxagorou conducts a researched unpacking of two countries whose dividing lines of a colonial past are still visible and felt.Uniquely engaged with the complexities of Cyprus and the diasporic experience, these poems map both an island's public history alongside a person's private reckoning. They offer a ferocious and uncompromising look towards the damaging historical structures that have led to now.Fearless, intensely honest and hopeful, Heritage Aesthetics merges Anthony's gift for performance and his brilliant experimentation with form to create a vivid insistence to communicate a self in the world.EndorsementsWinner of the RSL Ondaatje Prize 2023

For precocious 11-year-old Lea Ypi, Albania’s Soviet-style socialism held the promise of a preordained future, a guarantee of security among enthusiastic comrades. That is, until she found herself clinging to a stone statue of Joseph Stalin, newly beheaded by student protests.Communism had failed to deliver the promised utopia. One’s “biography”—class status and other associations long in the past—put strict boundaries around one’s individual future. When Lea’s parents spoke of relatives going to “university” or “graduating,” they were speaking of grave secrets Lea struggled to unveil. And when the early ’90s saw Albania and other Balkan countries exuberantly begin a transition to the “free market,” Western ideals of freedom delivered chaos: a dystopia of pyramid schemes, organized crime, and sex trafficking.With her elegant, intellectual, French-speaking grandmother; her radical-chic father; and her staunchly anti-socialist, Thatcherite mother to guide her through these disorienting times, Lea had a political education of the most colorful sort—here recounted with outstanding literary talent. Now one of the world’s most dynamic young political thinkers and a prominent leftist voice in the United Kingdom, Lea offers a fresh and invigorating perspective on the relation between the personal and the political, between values and identity, posing urgent questions about the cost of freedom.

A photograph is hung on a gallery wall for the very first time since it was taken two decades earlier. It shows a slaughterhouse in rural Ireland, a painting of the Virgin Mary on the wall, a meat hook suspended from the ceiling - and, from its sharp point, the lifeless body of a man hanging by his feet.The story of who he is and how he got there casts back into Irish folklore, of widows cursing the land and of the men who slaughter its cattle by hand. But modern Ireland is distrustful of ancient traditions, and as the BSE crisis in England presents get-rich opportunities in Ireland, few care about The Butchers, the eight men who roam the country, slaughtering the cows of those who still have faith in the old ways. Few care, that is, except for Fionn, the husband of a dying woman who still believes; their son Davey, who has fallen in love with the youngest of the Butchers; Gra, the lonely wife of one of the eight; and her 12-year-old daughter, Una, a girl who will grow up to carry a knife like her father, and who will be the one finally to avenge the man in the photograph.

Roger Robinson’s range is wide: the joys and pains of family life; the ubiquitous presence of racism, both subtle and unsubtle; observations on the threatening edge of violence below the surface energies of Black British territories in London; emblematic poems on the beauty and often bizarre strangeness of the world of animals; quizzical responses to the strange, the heartening, and the appalling in incidents or accounts of incidents encountered in daily life; reflections on the purposes and costs of making art, as in fine poems on a George Stubbs’ painting, John Coltrane’s Ascension, and cocaine. Not least, in the sequence of poems that reflect on the meanings of the Grenfell Tower fire, Roger Robinson finds ways to move beyond a just indignation to uncover the undertones of experience that bring us nearer to the human reality of that event.The collection’s title points to the underlying philosophy expressed in these poems: that earthly joy is, or ought to be, just within, but is often just beyond our reach, denied by racism, misogyny, physical cruelty and those with the class power to deny others their share of worldly goods and pleasures. A Portable Paradise is not the emptiness of material accumulation, but joy in an openness to people, places, the sensual pleasures of food and the rewards to be had from the arts of word, sound and visual enticement – in short an “insatiable hunger” for life. The poems express a fierce anger against injustice, but also convey the irrepressible sense that Roger Robinson cannot help but love people for their humour, oddity and generosity of spirit.These are finely crafted poems that reveal Robinson’s capacity to tell involving stories and capture the essence of a character in a few words, to move the emotions with the force of verbal expression, and engage our thoughts, as in the sequence of poems that reflect on just what paradise might be. A Portable Paradise is a feast to be carried by lovers of poetry wherever they go.

A hundred years ago, a girl was born in the northern Ethiopian city of Gondar. Before she was ten years old, Yetemegnu was married to a man two decades her senior, an ambitious poet-priest. Over the next century her world changed beyond recognition.She witnessed Fascist invasion and occupation, Allied bombardment and exile from her city, the ascent and fall of Emperor Haile Selassie, revolution and civil war. She endured all these things alongside parenthood, widowhood and the death of children.Aida Edemariam retells her grandmother's stories of a childhood surrounded by proud priests and soldiers, of her husband's imprisonment, of her fight for justice — all of it played out against an ancient cycle of festivals and the rhythms of the seasons.

Mama Amazonica is set in a psychiatric ward and in the Amazon rainforest, an asylum for animals on the brink of extinction. It reveals the story of Pascale Petit’s mentally ill mother and the consequences of abuse. The mother transforms into a giant Victoria amazonica waterlily, and a bestiary of untameable creatures – a jaguar girl, a wolverine, a hummingbird – as she marries her rapist and gives birth to his children. From heartbreaking trauma, there emerge luxuriant and tender portraits of a woman battling for survival, in poems that echo the plight of others under duress, and of our companion species. Petit does not flinch from the violence but offers hope by celebrating the beauty of the wild, whether in the mind or the natural world.EndorsementsFour of Pascale Petit's previous six collections have been shortlisted for the T.S. Eliot Prize.

The first novel from nonfiction author Francis Spufford follows the adventures of a mysterious young man in mid-eighteenth-century Manhattan, thirty years before the American Revolution.New York, a small town on the tip of Manhattan island, 1746. One rainy evening in November, a handsome young stranger fresh off the boat pitches up at a countinghouse door on Golden Hill Street: this is Mr. Smith, amiable, charming, yet strangely determined to keep suspicion shimmering. For in his pocket, he has what seems to be an order for a thousand pounds, a huge sum, and he won’t explain why, or where he comes from, or what he is planning to do in the colonies that requires so much money. Should the New York merchants trust him? Should they risk their credit and refuse to pay? Should they befriend him, seduce him, arrest him; maybe even kill him?Set thirty years before the American Revolution, Francis Spufford captures an ancient iconography of New York not only in his depictions of the physical city and its diverse citizens, currencies, and costumes, but also in the clever and pungent language of his prose. Golden Hill is an update of eighteenth-century picaresque novels by the likes of Henry Fielding and entertains us with its savage wit, mystery, charismatic protagonist, and romantic storyline as it propels us toward a powerful revelation at the novel’s end. Golden Hill shows us a city provokingly different from its later self; but subtly shadowed by the great icon to come, and already a place where a young man with a fast tongue can invent himself anew, fall in love—and find a world of trouble.Endorsements"a first-class period entertainment" — The Guardian"Intoxicating" — The Financial Times"as good a historical novel as you could read" — The Times, London

Over thirteen centuries, Baghdad has enjoyed both cultural and commercial pre-eminence, boasting artistic and intellectual sophistication and an economy once the envy of the world. It was here, in the time of the Caliphs, that the Thousand and One Nights were set. Yet it has also been a city of great hardships, beset by epidemics, famines, floods, and numerous foreign invasions that have brought terrible bloodshed. This is the history of its storytellers and its tyrants, of its philosophers and conquerors.Here, in the first new history of Baghdad in nearly 80 years, Justin Marozzi brings to life the whole tumultuous history of what was once the greatest capital on earth.

Alan Johnson's childhood was not so much difficult as unusual — particularly for a man who was destined to become Home Secretary. Not in respect of the poverty, which was shared with many of those living in Britain's post-war slums, but in its transition from being part of a two-parent family to having a single mother and then to no parents at all.This is essentially the story of two incredible women: Alan's mother, Lily, who battled against poor health, poverty, domestic violence and loneliness to try to ensure a better life for her children; and his sister, Linda, who had to assume an enormous amount of responsibility at a very young age and who fought to keep the family together and out of care when she herself was still only a child.This Boy is one man's story, but it is also the story of England and the West London slums which are hard to imagine in the capital today. No matter how harsh the details, Alan Johnson writes with a spirit of generous acceptance, of humour and openness which makes his book anything but a grim catalogue of miseries.School on the Kings Road, Chelsea in the Swinging 60s, the rock-and-roll years, the race riots; this boy has seen it all.Endorsements'The best memoir by a politician you will ever read' — The Times'Moving and unforgettable' — Sunday Times'Poignant' — Telegraph'Eloquent' — Guardian'Wonderful' — Spectator'Tribute to two strong women' — Daily Mail

A family and a nation—Bangladesh—are forged through storytelling, conversation, jokes, feuds, blood, songs, bravery, and sacrifice. In late 1970 a boy named Saadi is born into a large, defiantly Bengali family in eastern Pakistan. Months later the country splits in two, in what will become one of the most ferocious twentieth-century civil wars. Saadi tells the story of his childhood and of the ingenious ways his family survived the violence and conflicts: from his aunts stuffing him endlessly with sweets to stop marauding soldiers from hearing him cry, to street games based on American television shows; from the basement compartment his grandfather built to hide his treasured books, pictures, and music until after the war, to the daily gossip about each and every one of the relatives, servants, and neighbors. Scenes from Early Life is a beautifully detailed novel of profound empathy—an attempt to capture the collective memory of a family and a country.At once heartbreaking and surprisingly funny. Based on the life of Philip Hensher's husband, the book is at once a memoir, a novel, and a history.EndorsementsFrom Man Booker–shortlisted author Philip Hensher.Winner of the 2013 Royal Society of Literature Ondaatje Prize for a distinguished work of fiction, non-fiction or poetry, evoking the spirit of a place.

A twenty-six-year-old Indian journalist decides to give up his job and travel to a country where he can 'escape the deadness of his life'. So he arrives in Guyana, a forgotten colonial society of raw, mesmerising beauty. From the beautiful, decaying wooden houses of Georgetown, through coastal sugarcane plantations, to the dark rainforest interior scavenged by diamond-hunters, he is absorbed by the fantastic possibilities of this place where the descendants of the enslaved and the indentured have made a new world. But he is not just seduced by the country: he is also captivated by the feisty yet fragile Jan, and together they embark on an adventure which will take them into a new country and change both their lives. In his dazzling and ambitious debut novel, Rahul Bhattacharya has created a story that follows the shape and rhythms of life, not art. Part picaresque and part meditation, The Sly Company of People Who Care captures the heady adventures of travel, the overheated restlessness of youth, and the paradoxes of searching for life's meaning in the escape from home.

A journey into the glittering, surreal heart of 21st-century Russia, where even dictatorship is a reality showProfessional killers with the souls of artists, would-be theater directors turned Kremlin puppet-masters, suicidal supermodels, Hell’s Angels who hallucinate themselves as holy warriors, and oligarch revolutionaries: welcome to the wild and bizarre heart of 21st-century Russia. It is a world erupting with new money and new power, changing so fast it breaks all sense of reality, home to a form of dictatorship — far subtler than twentieth-century strains — that is rapidly rising to challenge the West.When British producer Peter Pomerantsev plunges into the booming Russian TV industry, he gains access to every nook and corrupt cranny of the country. He is brought to smoky rooms for meetings with propaganda gurus running the nerve-center of the Russian media machine, and visits Siberian mafia-towns and the salons of the international super-rich in London and the US. As the Putin regime becomes more aggressive, Pomerantsev finds himself drawn further into the system.Dazzling yet piercingly insightful, Nothing Is True and Everything Is Possible is an unforgettable voyage into a country spinning from decadence into madness.

The Ephrussis were a grand banking family, as rich and respected as the Rothschilds, who “burned like a comet” in nineteenth-century Paris and Vienna society. Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler’s theorist on the “Jewish question” appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she’d served even in their exile.In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century.Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.

Jamaica used to be the source of much of Britain's wealth, an island where slaves grew sugar and the money flowed in vast quantities. It was a tropical paradise for the planters, a Babylonian exile for the Africans shipped to the Caribbean. It became independent in 1962.Jamaica is now a country in despair. It has become a cockpit of gang warfare, drug crime and poverty. Haunted by the legacy of imperialism, its social and racial divisions seem entrenched. Its extraordinary musical tradition and physical beauty are shadowed by casual murder, police brutality and political corruption.Ian Thomson shows a side of Jamaica that tourists rarely see in their gated enclaves. He travelled country roads in buses and met ordinary Jamaicans in their homes and workplaces, and his encounters with the white elite, who still own most of Jamaica's businesses and newspapers, are unforgettable. Thomson brings alive the country's unique racial and ethnic mix, the all-pervading influence of the USA, and the increasing disillusionment felt by its people, who can't rely on the state for their most basic security. At the heart of the book is Jamaica's tense, uneasy relationship with Britain, to whom it remains politically and culturally bound.

Sissinghurst is world famous as a place of calm and beauty, a garden slipped into the ruins of a rose-pink Elizabethan palace. But is it entirely what its creators intended? Has its success over the last thirty years come at a price? Is Sissinghurst everything it could be? The story of this piece of land, an estate in the Weald of Kent, is told here for the first time from the very beginning. Adam Nicolson, who now lives there, has uncovered remarkable new findings about its history as a medieval manor and great sixteenth-century house, from the days of its decline as an eighteenth-century prison to a flourishing Victorian farm and on to the creation, by his grandparents Vita Sackville-West and Harold Nicolson, of a garden in a weed-strewn wreck. Alongside his recovery of the past, Adam Nicolson wanted something for the land at Sissinghurst to live again, to become the landscape of orchards, cattle, fruit and sheep he remembered from his boyhood. Could that living frame of a mixed farm be brought back to what had turned into monochrome fields of chemicalised wheat and oilseed rape? Against the odds, he was going to try. Adam Nicolson has always been a passionate writer about landscape and buildings, but this is different. This is the place he wanted to make good again, reconnecting garden, farm and land. More than just a personal biography of a place, this book is the story of taking an inheritance and steering it in a new direction, just as an entrepreneur might take hold of a company, or just as all of us might want to take our dreams and make them real.A fascinating account from award-winning author Adam Nicolson on the history of Nicolson's own national treasure: his family home, Sissinghurst.

With an introduction by Colm TóibínTen years ago, I began to explore the country on which I was supposed to be an authority . . .France is a country famous for its intellectuals, its philosophers and writers, its fashion, food and wine. And yet the notion of 'the French' as one nation is relatively recent and, historically speaking, quite misleading. In order to discover the 'real' past of France, Graham Robb realised it was not only necessary to go back in time, but also to go at a slower pace than modern life generally allows. The Discovery of France, illuminating, engrossing and full of surprises, is the result of Robb's 14,000-mile journey across France on a bicycle.The Discovery of France is a modern non-fiction classic, a literary exploration of a remarkable nation. From maps and migration to magic, language and landscape, it reveals a France few will recognize.EndorsementsWinner of both the Duff Cooper and the Royal Society of Literature Ondaatje prizes'An extraordinary journey of discovery' — Daily Telegraph'Robb's concise and fast-paced writing pedals along with never a dull paragraph . . . dazzling' — Sunday Times

Nine-year-old Suleiman is just awakening to the wider world beyond the games on the hot pavement outside his home and beyond the loving embrace of his parents. He becomes the man of the house when his father goes away on business, but then he sees his father, standing in the market square in a pair of dark glasses. Suddenly the wider world becomes a frightening place where parents lie and questions go unanswered. Suleiman turns to his mother, who, under the cover of night, entrusts him with the secret story of her childhood.

1919, Siberia. Deep in the unforgiving landscape, a town lies under military rule, awaiting the remorseless assault by the Bolsheviks along the Trans-Siberian railway. Then Samarin arrives. Appearing from the woods with a tale of escape from an Arctic prison, he says he is being chased by a cannibal. Anna, a beautiful young widow, feels something for the new arrival. Then the local shaman is found dead, and suspicion and terror engulf the little town.

In January 2002 Rory Stewart walked across Afghanistan — surviving by his wits, his knowledge of Persian dialects and Muslim customs, and the kindness of strangers. By day he passed through mountains covered in nine feet of snow, hamlets burned and emptied by the Taliban, and communities thriving amid the remains of medieval civilizations. By night he slept on villagers' floors, shared their meals, and listened to their stories of the recent and ancient past. Along the way Stewart met heroes and rogues, tribal elders and teenage soldiers, Taliban commanders and foreign-aid workers. He was also adopted by an unexpected companion — a retired fighting mastiff he named Babur in honor of Afghanistan's first Mughal emperor, in whose footsteps the pair followed. Through these encounters — by turns touching, confounding, surprising, and funny — Stewart makes tangible the forces of tradition, ideology, and allegiance that shape life in the map's countless places in between.