The New Yorker 2023

The Barnes family is in trouble. Dickie's car business is going under, but instead of doing anything about it, he's out in the woods preparing for the actual end of the world. Meanwhile his wife Imelda is selling off her jewellery on eBay and half-heartedly dodging the attentions of fast-talking local wrongun Big Mike. Their teenage daughter Cass, usually top of her class, seems determined to drink her way through the whole thing. And twelve year old PJ is spending more and more time on video game forums, where he's met a friendly boy named Ethan who never turns his camera on and wants PJ to run away from home.Digging down through layers of family history, the roots of this crisis stretch deep into the past. Meanwhile in the present, the fault lines keep spreading, ghosts slipping in through the cracks, and every step brings the Barneses closer to a fatal precipice. When the moment of reckoning finally arrives, all four of them must decide how far they're willing to go to save the family, and whether—if the story's already been written—there's still time to give it a happy ending...

Booker-winning author of The Luminaries, Eleanor Catton's third novel, Birnam Wood, is a psychological thriller set in a remote area of New Zealand, where scores of ultra-rich foreigners are building fortress-like homes in preparation for a coming disaster. It follows the guerrilla gardening outfit Birnam Wood, a ragtag group of leftists who move about the country cultivating other people's land. Their chance encounter with an American billionaire sparks a tragic sequence of events that questions how far any of us would go to ensure our own survival — and at what cost.

When X—an iconoclastic artist, writer, and polarizing shape-shifter—falls dead in her office, her widow, wild with grief and refusing everyone’s good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM, her wife, knew where X had been born, and in her quest to find out, she opens a Pandora’s box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, as it is finally, in the present day, forced into an uneasy reunification.A masterfully constructed literary adventure complete with original images assembled by X’s widow, Biography of X follows a grieving wife seeking to understand the woman who enthralled her. CM traces X’s peripatetic trajectory over decades, from Europe to the ruins of America's divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. And when she finally understands the scope of X’s defining artistic project, CM realizes her wife’s deceptions were far crueler than she imagined.Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love.

We meet Andrew Leland as he’s suspended in the strange liminal state of the soon-to-be blind. He’s midway through his life with retinitis pigmentosa, a condition that ushers those who live with it from complete sightedness to complete blindness over a period of years, even decades. He grew up with full vision, but starting in his teenage years, his sight began to degrade from the outside in, such that he now sees the world as if through a narrow tube. Soon—but without knowing exactly when—he will likely have no vision left.Full of apprehension but also dogged curiosity, Leland embarks on a sweeping exploration of the state of being that awaits not only the physical experience of blindness but also its language, internal debates, politics, and customs. He also negotiates his changing relationships with his wife and son, and with his own sense of self, as he moves from sighted to semi-sighted to blind, from his mainstream, “typical” life to one with a disability. Part memoir, part historical and cultural investigation, The Country of the Blind represents Leland’s determination not to merely survive this transition, but to grow from it—to seek out and revel in that which makes blindness enlightening. His story reveals essential lessons for all of us, from accepting uncertainty and embracing change to connecting with others across difference.Thought-provoking and brimming with warmth and humor, The Country of the Blind is at once a deeply personal journey and an intellectually exhilarating tour of a way of being that most of us have never paused to consider—and from which we have much to learn.A witty, winning, and revelatory personal narrative of the author’s transition from sightedness to blindness and his quest to learn all he can about blindness as a distinct and rich culture all its own.Endorsements“The Country of the Blind is about seeing—but also about marriage and family and the moral and emotional challenge of accommodating the parts of ourselves that scare us. A warm, profound, and unforgettable meditation on how we adjust to new ways of being in the world.” — Rachel Aviv, author of Strangers to Ourselves

Fear is Just a Word begins on an international bridge between Mexico and the United States, as fifty-six-year-old Miriam Rodriguez stalks one of the men she believes was involved in the murder of her daughter Karen. He is her target number eleven, a member of the drug cartel that has terrorised and controlled what was once Miriam's quiet hometown of San Fernando, Mexico, almost one hundred miles from the US border. Having dyed her hair red as a disguise, Miriam watches, waits, and then orchestrates the arrest of this man, exacting her own revenge.Woven into this deeply researched, moving account is the story of how cartels built their power in Mexico, escalated the use of violence, and kidnapped and murdered tens of thousands. Karen was just one of the many people who disappeared, and Miriam, a brilliant, strategic and fearless woman, begged for help from the authorities and paid ransom money she could not afford in hopes of saving her daughter. When that failed, she began a crusade to track down Karen's killers and help other victimised families.What can a person do when their country and the town where they have grown up become unrecognisable, suddenly places of violence and fear? Azam Ahmed tells the mesmerising story of a brave and brilliant woman determined to find out what happened to her daughter, and to see that the criminals who murdered her were punished. Fear is Just a Word is an unforgettable and moving portrait of a woman, a town and a country, and of what can happen when violent forces drive people to seek justice on their own.Endorsements'A work of journalistic brilliance and rare humanity' — George Packer'Truly a remarkable achievement' — Jon Lee Anderson'Ahmed writes about Mexico with uncommon authority and a broken heart' — Gary Shteyngart'A stunning, colour-saturated portrait of the collapse of formal justice in one Mexican town' — Steve Coll

It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs. Touchet is a woman of many loyalties — literature, justice, abolitionism, class, her cousin, his wives, this life, and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.Andrew Bogle meanwhile grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. He knows that the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story.The “Tichborne Trial”—wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title—captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task…Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity, and the mystery of “other people.”

Grand Tour, the debut collection of poetry by Elisa Gonzalez, dramatizes the mind in motion as it grapples with something more than itself. She writes of a whole life to transcendent effect. By the end, we feel we have witnessed a poet remaking herself.Gonzalez’s poetry depicts the fullness of living. There are the small “white wine greening in a glass,” and trumpet blossoms “panicking across the garden.” Some poems adopt the oracular quality of a parable but invariably refuse a clear moral. The poet moves through elegy, romantic and sexual encounters, family history, and place―Cyprus, Puerto Rico, Poland, Ohio―all constellated in “a chaos of faraway.” The collection is held together less by answers than by a persistent question: How do you reconcile a hatred for the world’s pain with a love for that same world, which is indivisible from its worst aspects? Gonzalez’s poems draw us nearer to our own aliveness, its fragility, and its sustaining questions. “Since I do love the world,” she says, she keeps writing, inviting us to accompany her as she searches.

Summer is coming to a close on the East End of Long Island, and Alex is no longer welcome.A misstep at a dinner party, and the older man she's been staying with dismisses her with a ride to the train station and a ticket back to the city.With few resources and a waterlogged phone, but gifted with an ability to navigate the desires of others, Alex stays on Long Island and drifts like a ghost through the hedged lanes, gated driveways, and sun-blasted dunes of a rarified world that is, at first, closed to her. Propelled by desperation and a mutable sense of morality, she spends the week leading up to Labor Day moving from one place to the next, a cipher leaving destruction in her wake.A young woman pretends to be someone she isn't in this stunning novel.EndorsementsNew York Times bestselling author of The Girls.

Lorrie Moore's first novel since A Gate at the Stairs—a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heart.A ghost story set in the nineteenth and twenty-first centuries, an elegiac consideration of grief, devotion (filial and romantic), and the vanishing and persistence of all things—seen and unseen.A teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all...With her distinctive, irresistible wordplay and singular wry humor and wisdom, Lorrie Moore has given us a magic box of longing and surprise as she writes about love and rebirth and the pull towards life. Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers and siblings as it questions the stories we have been told which may or may not be true. I Am Homeless If This Is Not My Home takes us through a trap door, into a windswept, imagined journey to the tragic-comic landscape that is, unmistakably, the world of Lorrie Moore.Endorsements"one of the most acute and lasting writers of her generation" — Caryn James, The New York Times

To be a journalist is to tell the truth. I Love Russia is Elena Kostyuchenko's fearless and unrelenting attempt to document Putin's Russia as experienced by those whom it systematically and brutally erases: village girls recruited into sex work, queer people in the outer provinces, patients and doctors at a Ukrainian maternity ward, and reporters like herself.The result is a singular portrait of a nation, and of a young woman who refuses to be silenced. In March 2022, as a reporter for Russia's last free press, Novaya Gazeta, Kostyuchenko crossed the border into Ukraine to cover the war. It was her mission to ensure that Russians witnessed the horrors Putin was committing in their name. She filed her pieces knowing that should she return home, she would likely be prosecuted and sentenced to 15 years in prison — yet driven by the conviction that the greatest form of love and patriotism is criticism, she continues to write, undaunted and with eyes wide open.I Love Russia stitches together reportage from the past 15 years with personal essays, assembling a kaleidoscopic narrative that Kostyuchenko understands may be the last thing she'll publish for a long time, perhaps ever. She writes because the threat of Putin's Russia extends beyond herself, beyond Crimea, and beyond Ukraine. We fail to understand it at our own peril.An unprecedented and intimate portrait of Russia and a fearless cri de coeur for journalism in opposition to the global authoritarian turn

In the weeks after Japan finally surrendered to the Allies to end World War II, the victorious powers turned to the question of how to move on from years of carnage and destruction. For the Allied powers, the trials were an opportunity both to render judgment on their vanquished foes and to create a legal framework to prosecute war crimes and prohibit the use of aggressive war. For the Japanese leaders on trial, it was their chance to argue that their war had been waged to liberate Asia from Western imperialism and that the court was no more than victors’ justice.Gary J. Bass's Judgement at Tokyo is a magnificent, riveting story of wartime action, dramatic courtroom battles, and the epic formative years that set the stage for the postwar era in the Asia–Pacific.A landmark, magisterial history of the postwar trial of Japan’s leaders as war criminals, and their impact on the modern history of Asia and the world.Endorsements'Every so often, a new work emerges of such immense scholarship and weight that it really does add a significant difference to our understanding of the Second World War and its consequences. Judgement in Tokyo is one such, a monumental work in both scale and detail, beautifully constructed and written, leaving the reader not only moved but disturbed as well.' — James Holland, The Sunday Telegraph'A work of singular importance . . . balanced, original, human, accessible, and riveting' — Philippe Sands, author of East-West Street'Always engrossing . . . a breathtakingly ambitious and well-executed piece of history, unlikely to be bettered as a portrait of the trials and their place in postwar global history' — History Today'A comprehensive, landmark and riveting book' — The Washington Post, The 10 Best Books of 2023

Vividly written and exhaustively researched, Jonathan Eig’s King is the first major biography in decades of the civil rights icon Martin Luther King Jr. – and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family’s origins as well as MLK’s complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became its only modern-day founding father – as well as the nation’s most mourned martyr. In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history’s greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.EndorsementsA New York Times bestseller.Selected as one of Barack Obama’s favorite books of 2023.

A formally ambitious and intensely felt new volume from the author of 10:04 and The Topeka School.The Lights is a constellation of verse and prose, voice mails and vignettes, songs and felt silences, that brings the personal and the collective into startling relation. Sometimes the scale is intimate, quiet, and sometimes the poems are sweeping, Orphic experiments in the animation of our common world. Written over a span of fifteen years, The Lights registers the pleasures, risks, and absurdities of making art and family and meaning against a backdrop of interlocking, accelerating crises, but for all their insight and critique, Ben Lerner’s poems ultimately communicate—in their unpredictability, in their intensities—the promise of mysterious sources of lift and illumination.

On the dawn of 16 July 1990, Liliana Rivera Garza, the sister of Cristina Rivera Garza, was murdered by her ex-boyfriend and subsumed into Mexico's dark and relentless history of femicide. She was a twenty-year-old architecture student who had been trying for years to end her relationship with a high school boyfriend who insisted on not letting her go. A few weeks before the tragedy, Liliana made a definitive decision: at the height of her winter she had discovered that, as Albert Camus had said, there was an invincible summer in her. She would leave him behind. She would start a new life. She would do a master's degree and a doctorate; she would travel to London. But his decision was that she would not have a life without him.Returning to Mexico after decades of living in the United States, Cristina Rivera Garza collects and curates evidence — handwritten letters, police reports, school notebooks, voice recordings and architectural blueprints — to defy a pattern of increasingly normalized, gendered violence and understand the life lost. What she finds is Liliana: her sister's voice crossing time and, like that of so many disappeared and outraged women in Mexico, demanding justice.A multi-layered portrait of Liliana's experience on earth, Liliana's Invincible Summer is an excavation of the life of a brilliant woman who lacked, like everyone else, the necessary language to identify, denounce and fight against sexist violence and intimate partner terrorism. Marshalling the skills of scholar, translator, novelist and poet, Rivera Garza presents an astonishing work of creative non-fiction that celebrates her sister's passage through the earth, and reveals the incalculable problem of violence against women.An astonishing work of creative non-fiction from one of Mexico's greatest contemporary writers, that reignites the brilliant spark of a young woman erased and illuminates an epidemic of femicide in Mexico.

The remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as “his” slave.In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in American history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding out in the open on steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the North.Along the way, they dodged slave traders, military officers, and even friends of their enslavers, who might have revealed their true identities. The tale of their adventure soon made them celebrities, and generated headlines around the country. Americans could not get enough of this charismatic young couple, who traveled another 1,000 miles criss-crossing New England, drawing thunderous applause as they spoke alongside some of the greatest abolitionist luminaries of the day—among them Frederick Douglass and William Wells Brown.But even then, they were not out of danger. With the passage of an infamous new Fugitive Slave Act in 1850, all Americans became accountable for returning refugees like the Crafts to slavery. Then yet another adventure began, as slave hunters came up from Georgia, forcing the Crafts to flee once again—this time from the United States, their lives and thousands more on the line and the stakes never higher.Master Slave Husband Wife is an American love story—one that would challenge the nation’s core precepts of life, liberty, and justice for all—one that challenges us even now.EndorsementsNew York Times Bestseller

“I wanted to write about silences and terror and acts that hover over generations, over centuries. I began by writing about my mother and grandmother.” —from “Note 18” in Ordinary Notes.A singular achievement, Ordinary Notes explores with immense care profound questions about loss, and the shapes of Black life that emerge in the wake. In a series of 248 brief and urgent notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present-day realities and possible futures, intricately constructing an immersive portrait of everyday Black existence.Through the striking images and words in these pages, themes and tones are sometimes about life, art, language, beauty, memory; sometimes about history, photography, and literature—but always attending, with exquisite care, to the ordinary-extraordinary dimensions of Black life.At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. “I learned to see in my mother’s house,” writes Sharpe. “I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words.” Using these and other gifts and ways of seeing, Sharpe steadily summons a chorus of voices and experiences to become present on the page. She articulates and follows an aesthetic of “beauty as a method,” collects entries from a community of thinkers towards a “Dictionary of Untranslatable Blackness,” and rigorously examines sites of memory and memorial.And in the process, she forges a new literary form, as multivalent as the ways of Black being it traces.EndorsementsWinner of the 2023 Hilary Weston Writers' Trust Prize for Nonfiction.Finalist for the National Book Award.

The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, with a new generation of scholars insisting that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America.Ned Blackhawk interweaves five centuries of Native and non‑Native histories, from Spanish colonial exploration to the rise of Native American self-determination in the late twentieth century. In this transformative synthesis he shows that:• European colonization in the 1600s was never a predetermined success;• Native nations helped shape England’s crisis of empire;• The first shots of the American Revolution were prompted by Indian affairs in the interior;• California Indians targeted by federally funded militias were among the first casualties of the Civil War;• The Union victory forever recalibrated Native communities across the West;• Twentieth-century reservation activists refashioned American law and policy.Blackhawk’s retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.A sweeping and overdue retelling of U.S. history that recognizes that Native Americans are essential to understanding the evolution of modern America.Endorsements“Eloquent and comprehensive... In the book’s sweeping synthesis, standard flashpoints of U.S. history take on new meaning.” — Kathleen DuVal, Wall Street Journal“In accounts of American history, Indigenous peoples are often treated as largely incidental—either obstacles to be overcome or part of a narrative separate from the arc of nation-building. Blackhawk ... [shows] that Native communities have, instead, been inseparable from the American story all along.” — Washington Post Book World, "Books to Read in 2023"

Jhumpa Lahiri sets her gaze on the eternally beautiful city of Rome, illuminating the frailties of the human condition and dissecting lives lived on the margins.A man recalls a summer party that awakens an alternative version of himself. A couple haunted by a tragic loss return to seek consolation. An outsider family is pushed out of the block in which they hoped to settle. A set of steps in a Roman neighbourhood connects the daily lives of the city’s myriad inhabitants.This is an evocative fresco of Rome, the most alluring character of all—contradictory, in constant transformation, and a home to those who know they can’t fully belong but choose it anyway.Translated from the Italian by Jhumpa Lahiri and Todd PortnowitzEndorsements“Stimulating, elegant, distinctive and thought-provoking” — Sunday TimesPulitzer Prize–winning author of Interpreter of Maladies

About a nation careening into violent autocracy—told through harrowing stories of the Philippines’ state-sanctioned killings of its citizens—from a reporter of international renown.“My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don’t wait very long.”Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte.Some People Need Killing is Evangelista’s meticulously reported and deeply human chronicle of the Philippines’ drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte’s war on drugs—a war that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others.The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation of much of the country: “I’m really not a bad guy,” he said. “I’m not all bad. Some people need killing.”A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.

The heroine of Marie NDiaye’s novel is a quiet middle-aged lawyer, living a modest existence in Bordeaux. She has been so effectively consumed by her job she is known to all simply as Maître Susane. But when Gilles Principaux shows up at her office asking her to defend his wife, who is accused of a horrific crime, Maître Susane begins to crack. She seems to remember having been alone with him in her youth for a significant event, one her mind obsesses over but can’t quite reconstruct. Who is this Gilles Principaux? And why would he come to her, a run-of-the-mill lawyer, for such an important trial?While this mystery preoccupies Maître Susane, at home she is greeted by Sharon, her faithful but peculiar housekeeper. Sharon arrived from Mauritius with her husband and children, and she lacks legal residency in France. And while Maître Susane has generously offered Sharon her professional services, the young maid always finds ways to evade her, claiming the marriage certificate Maître Susane requires is being held hostage. Is Sharon being honest with Maître Susane, or is something more sinister going on?Told in a slow seethe recalling the short novels of Elena Ferrante and the psychological richness of Patricia Highsmith’s work, Vengeance Is Mine is a dreamlike portrait of a woman afflicted by failing memories, tortured uncertainty, and an unreliability that frightens her.

Y/N a novel about a Korean American woman living in Berlin whose obsession with a K-pop idol sends her to Seoul on a journey of literary self-destruction.It’s as if her life only began once Moon appeared in it. The desultory copywriting work, the boyfriend, and the want of anything not-Moon quickly fall away when she beholds the idol in concert, where Moon dances as if his movements are creating their own gravitational field; on live streams, as fans from around the world comment in dozens of languages; even on skincare products endorsed by the wildly popular Korean boyband, of which Moon is the youngest, most luminous member. Seized by ineffable desire, our unnamed narrator begins writing Y/N fanfic—in which you, the reader, insert [Your/Name] and play out an intimate relationship with the unattainable star.Then Moon suddenly retires, vanishing from the public eye. As Y/N flies from Berlin to Seoul to be with Moon, our narrator, too, journeys to Korea in search of the object of her love. An escalating series of mistranslations and misidentifications lands her at the headquarters of the Kafkaesque entertainment company that manages the boyband until, at a secret location, together with Moon at last, art and real life approach their final convergence.Surreal, hilarious, and shrewdly poignant, Y/N is a provocative literary debut about the universal longing for transcendence and the tragic struggle to assert one’s singular story amidst the amnesiac effects of globalization. Esther Yi’s prose unsettles the boundary between high and mass art, exploding our expectations of a novel about “identity” and offering in its place a sui generis picture of the loneliness that afflicts modern life.

A man starts driving without knowing where he is going. He alternates between turning right and left, and ultimately finds himself stuck at the end of a forest road. It soon grows dark and begins to snow. But instead of searching for help, he ventures, foolishly, into the dark forest. Inevitably, the man gets lost, and as he grows cold and tired, he encounters a glowing being amid the obscurity.Strange, haunting and dreamlike. A Shining is the latest work of fiction by Jon Fosse.Endorsements“the Beckett of the twenty-first century” — Le MondeJon Fosse — National Book Award finalist

Five-year-old Milad Salama is excited for a school trip to a theme park on the outskirts of Jerusalem. On the way, his bus collides with a semitrailer. His father, Abed, gets word of the crash and rushes to the site. The scene is chaos—the children have been taken to different hospitals in Jerusalem and the West Bank; some are missing, others cannot be identified. Abed sets off on an odyssey to learn Milad’s fate. It is every parent’s worst nightmare, but for Abed it is compounded by the maze of physical, emotional, and bureaucratic obstacles he must navigate because he is Palestinian. He is on the wrong side of the separation wall, holds the wrong ID to pass the military checkpoints, and has the wrong papers to enter the city of Jerusalem. Abed’s quest to find Milad is interwoven with the stories of a cast of Jewish and Palestinian characters whose lives and histories unexpectedly converge.In A Day in the Life of Abed Salama, Nathan Thrall offers an indelibly human portrait of the struggle over Israel/Palestine and a new understanding of the tragic history and reality of one of the most contested places on earth.Immersive and gripping, an intimate story of a deadly accident outside Jerusalem that unravels a tangle of lives, loves, enmities, and histories over the course of one revealing, heartbreaking day.EndorsementsWinner of the 2024 Pulitzer Prize for General Non-Fiction.Named a Best Book of the Year by The New Yorker, The Economist, Time, The New Republic, and the Financial Times.“severe allergy to conventional wisdom” — Time

In May 2016, Fort McMurray, the hub of Canada's petroleum industry and America's biggest foreign supplier, was overrun by wildfire. The multi-billion-dollar disaster melted vehicles, turned entire neighborhoods into firebombs, and drove 88,000 people from their homes in a single afternoon. Through the lens of this apocalyptic conflagration—the wildfire equivalent of Hurricane Katrina—John Vaillant warns that this was not a unique event but a shocking preview of what we must prepare for in a hotter, more flammable world.For hundreds of millennia, fire has been a partner in our evolution, shaping culture, civilization, and, very likely, our brains. Fire has enabled us to cook our food, defend and heat our homes, and power the machines that drive our titanic economy. Yet this volatile energy source has always threatened to elude our control, and in our new age of intensifying climate change, we are seeing its destructive power unleashed in previously unimaginable ways.With masterly prose and a cinematic eye, Vaillant takes us on a riveting journey through the intertwined histories of North America's oil industry and the birth of climate science, to the unprecedented devastation wrought by modern forest fires, and into lives forever changed by these disasters. John Vaillant's urgent work is a book for—and from—our new century of fire, which has only just begun.A stunning account of the colossal wildfire at Fort McMurray, and a panoramic exploration of the rapidly changing relationship between fire and humankind.EndorsementsNamed a Best Book of the Year by The Guardian, TIME, The Globe and Mail, The New Yorker, Financial Times, CBC, Smithsonian, Air Mail Weekly, Slate, NPR, Toronto Star, The Washington Post, The Times, and Orion Magazine.